Finding the Personal Voice in Filmmaking

This book philosophically and creatively examines ways in which independent filmmakers may explore, through practice, the discovery and development of a personal voice in the making of their films. Filmmaker and academic, Professor Erik Knudsen, uses a co

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Finding the Personal Voice in Filmmaking “Knudsen takes us deep into his own (very personal and successful) creative practice as a filmmaker and collaborator in the pursuit of developing cinematic stories. Out of his autoethnographic exploration, he has developed a rich and powerful methodology: ethnomediaology. This book allows us to reap the benefits of the hugely significant and seminal work of the AHRC StoryLab Film Development Research Network workshops. Of particular value are the series of exercises and questions which the reader can use to problem solve through processes that break down patterns of thinking and develop ideas using the notion of story and narrative resonance.” —Graham Roberts, Leeds Trinity University, UK

Erik Knudsen

Finding the Personal Voice in Filmmaking

Erik Knudsen University of Central Lancashire Preston, UK

ISBN 978-3-030-00376-0    ISBN 978-3-030-00377-7 (eBook) https://doi.org/10.1007/978-3-030-00377-7 Library of Congress Control Number: 2018959226 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Pattern © Melisa Hasan This Palgrave Pivot imprint is published by the registered company Springer Nature Switzerland AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

Contents

1 Introduction   1 2 Why Create?  17 3 What Is Creativity?  41 4 Why Story?  83 5 Transformations 105 Appendix 115 Index 119

v

List of Figures

Fig. 2.1 Fig. 3.1

Creative cycle Simulated illustration of a child’s drawing

29 52

vii

CHAPTER 1

Introduction

Abstract  A general introduction to the book, outlining the ethnomediaological approach to the StoryLab International Film Development Research Network workshops that provide much of the case study examples cited. The introduction also outline

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