Ghosts of Theatre and Cinema in the Brain
Pizzato focuses on the staging of Self and Other as phantom characters inside the brain (in the 'mind's eye', as Hamlet says). He explores the brain's anatomical evolution from animal drives to human consciousness to divine aspirations, through distinctiv
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Copyright material from www.palgraveconnect.com - licensed to New York University - Waldmann Dental Library - PalgraveConnect - 2015-07-31
Ghosts of Theatre and Cinema in the Brain
Also in the series: Undressed for Success by Brenda Foley Theatre, Performance, and the Historical Avant-garde by Günter Berghaus Theatre, Politics, and Markets in Fin-de-Siècle Paris by Sally Charnow Ghosts of Theatre and Cinema in the Brain by Mark Pizzato Moscow Theatres for Young People by Manon van de Water Absence and Memory in Colonial American Theatre by Odai Johnson
10.1057/9781403983299 - Ghosts of Theatre and Cinema in the Brain, Mark Pizzato
Copyright material from www.palgraveconnect.com - licensed to New York University - Waldmann Dental Library - PalgraveConnect - 2015-07-31
“Palgrave Studies in Theatre and Performance History” is a series devoted to the best of theatre/performance scholarship currently available, accessible and free of jargon. It strives to include a wide range of topics, from the more traditional to those performance forms that in recent years have helped broaden the understanding of what theatre as a category might include (from variety forms as diverse as the circus and burlesque to street buskers, stage magic, and musical theatre, among many others). Although historical, critical, or analytical studies are of special interest, more theoretical projects, if not the dominant thrust of a study, but utilized as important underpinning or as a historiographical or analytical method of exploration, are also of interest. Textual studies of drama or other types of less traditional performance texts are also germane to the series if placed in their cultural, historical, social, or political and economic context. There is no geographical focus for this series and works of excellence of a diverse and international nature, including comparative studies, are sought. The editor of the series is Don B. Wilmeth (EMERITUS, Brown University), Ph.D., University of Illinois, who brings to the series over a dozen years as editor of a book series on American theatre and drama, in addition to his own extensive experience as an editor of books and journals. He is the author of several award-winning books and has received numerous career achievement awards, including one for sustained excellence in editing from the Association for Theatre in Higher Education.
Mark Pizzato
10.1057/9781403983299 - Ghosts of Theatre and Cinema in the Brain, Mark Pizzato
Copyright material from www.palgraveconnect.com - licensed to New York University - Waldmann Dental Library - PalgraveConnect - 2015-07-31
Ghosts of Theatre and Cinema in the Brain
GHOSTS OF THEATRE AND CINEMA IN THE BRAIN
All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2006 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS Compan
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