Hakka Theatre: Roseki Taipei Singer

In Roseki (2018), played by Hakka TV, Director and Playwright Lou, Yi-An uses the form of stage performance “play-within-the-play.” Roseki represents the lives and literature works of Lyuu, Heh-Ruo, recognized as “the first gifted scholar” in Taiwan in th

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Pop with Gods, Shakespeare, and AI “Iris Tuan’s book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known (Shakespeare’s Romeo & Juliet, Disney’s The Lion King) while others little known outside their place of origin (such as the Hakka Theatre of Taiwan)—all are approached by the author with enthusiasm.” —Susan Bennett, Professor of English, University of Calgary, Canada “Tuan takes us through multiple examples of contemporary popular performance in theatre/film/TV ranging from “high” art sources (Shakespeare or Journey to the West in films, Hirata’s robotic theatre experiments) to “low” (Taiwanese TV soap operas Hakka Theatre: Roseki and Story of Yangxi Palace, Korean film Along with the Gods: The Two Worlds). The reader moves at a speed-dating pace through contemporary culture production and interpretive theories, encountering significant works, controversies (i.e., yellow face), and conundrums selected from China, Korea, Japan and the U.S. and filtered through a Taiwanese female gaze.” —Kathy Foley, Professor of Theatre Arts, University of California Santa Cruz, USA

Iris H. Tuan

Pop with Gods, Shakespeare, and AI Popular Film, (Musical) Theatre, and TV Drama​

Iris H. Tuan National Chiao Tung University Jhubei, Taiwan

ISBN 978-981-15-7296-8    ISBN 978-981-15-7297-5 (eBook) https://doi.org/10.1007/978-981-15-7297-5 © The Author(s) 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Donald Iain Smith This Palgrave Macmillan imprint is published by the registered company Springer Na

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