Handbook of State Aid for Film Finance, Industries and Regulation
This book is an analysis of the specificities of public film funding on an international scale. It shows how public funding schemes add value to film-making and other audio-visual productions and provides a comprehensive analysis of today’s global challen
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Paul Clemens Murschetz Roland Teichmann Matthias Karmasin Editors
Handbook of State Aid for Film Finance, Industries and Regulation
Media Business and Innovation
Series editor M. Friedrichsen, Faculty Information and Communication, Stuttgart Media University, Stuttgart, Baden-Württemberg, Germany
More information about this series at http://www.springer.com/series/11520
Paul Clemens Murschetz • Roland Teichmann • Matthias Karmasin Editors
Handbook of State Aid for Film Finance, Industries and Regulation
Editors Paul Clemens Murschetz Alpen-Adria-Universita¨t Klagenfurt, Austria
Roland Teichmann Austrian Film Institute Vienna, Austria
Matthias Karmasin Media and Communication Studies Alpen-Adria Universita¨t Klagenfurt, Austria
ISSN 2523-319X ISSN 2523-3203 (electronic) Media Business and Innovation ISBN 978-3-319-71714-2 ISBN 978-3-319-71716-6 (eBook) https://doi.org/10.1007/978-3-319-71716-6 Library of Congress Control Number: 2018932552 # Springer International Publishing AG, part of Springer Nature 2018 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Printed on acid-free paper This Springer imprint is published by the registered company Springer International Publishing AG part of Springer Nature. The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
This book is dedicated to my mother Paul Clemens Murschetz
Foreword
The special power of the early moving image attracted the attention of public authorities. Though early interventions in the film industry were occasionally informed by propaganda or censorship-related aims, from the close of the Second World War these objectives had been largely superseded in favour of goals reflecting the dual economic and cultural nature of film. In post-war Europe, rebuilding infrastructure and fostering national production that could compete with Hollywood’s output was a priority.
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