Hesitant Histories on the Romanian Screen
This book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcas
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László Strausz
Hesitant Histories on the Romanian Screen
László Strausz Eötvös Loránd University Budapest, Hungary
ISBN 978-3-319-55271-2 DOI 10.1007/978-3-319-55272-9
ISBN 978-3-319-55272-9 (eBook)
Library of Congress Control Number: 2017940256 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover design by Samantha Johnson Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
CONTENTS
1 Introduction
1
2 Hesitation as an Interpretive Strategy
11
3 Modernism Under Construction: Romanian Films on Filmmaking in the Ceaușescu Years
51
4 Television as a Factory of History: The Broadcast of the 1989 Romanian Revolution
83
5 Contesting the Canon of the Past: State Socialism and Regime Change in New Romanian Cinema
115
6 Outcasts, Fugitives, and Migrants: Mobility and the Social Production of Space
157
7 Sanatorium Romania: Regulating the Body in the Hospital, the Prison, and the Convent 183 8 The Crisis of Masculinity in Post-socialist Society
209
v
vi
CONTENTS
9 Epilogue: Authorial Films and Genres, Festivals, and Audiences
239
Index
249
LIST
Fig. 2.1 Fig. 3.1
Fig. 3.2
Fig. 3.3
Fig. 3.4
Fig. 4.1
Fig. 5.1
Fig. 5.2
Fig. 5.3
OF
FIGURES
The shifting, mobile vanishing point in Las Meninas (1656) The authorities produce an image of reality in Reconstruction (Lucian Pintilie 1969, Transilvania Films) Screen images interact with the diegetic reality of the film in Reconstruction (Lucian Pintilie 1969, Transilvania Films) The process of manipulating the image by eliminating its original context in Microphone Test (Mircea Daneliuc 1980, Jurnalul) Different technologies: collecting (16 m
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