Introduction: Time Changes

In this chapter the author, an audiovisual producer and lecturer of cultural and media studies, shares elements of the reflexive journey from Jamaica’s Public Service Broadcasting to Commercial Broadcasting eras, and on to the emergent Cultural Economy er

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#decolonization2point0

Deborah Hickling Gordon

Cultural Economy and Television in Jamaica and Ghana

Deborah Hickling Gordon

Cultural Economy and Television in Jamaica and Ghana #decolonization2point0

Deborah Hickling Gordon The University of the West Indies Kingston, Jamaica

ISBN 978-3-030-38064-9    ISBN 978-3-030-38065-6 (eBook) https://doi.org/10.1007/978-3-030-38065-6 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the ­publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and ­institutional affiliations. Cover illustration: John Rawsterne/patternhead.com This Palgrave Pivot imprint is published by the registered company Springer Nature Switzerland AG. The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

“Livication”

This volume is livicated to all creators of cultural symbols past and present; those in Africa and those brought to the Caribbean who shared their hopes, dreams, aspirations, fears, disappointments and frustrations along this creative trajectory of transition and ancestral cultural practitioners. The foundation you laid allows those in the here-and-now the creative freedom to be. You have provided for those to come. Ase. Winsome Pamella Gordon-Hickling and Frederick Hickling. I truly came to know you both through this work. Your restless, creative souls wrestled with “matter” and “spirit” all life long. Spirit ONE. Ase. Ajani, Zahra and Zachary’s children will benefit from their grandparents wisdom and mistakes. Ase. For ever present astral friends. Ase-O.

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Acknowledgments

This volume represents the trajectory of my own transition. I thank everyone who has journeyed with me. I am grateful to my Jamaican and Ghanaian brothers and sisters who permitted me to enter their production spaces. My husband Carl, provided quiet strength. Aunt Nan and Uncle Bri, Drs