Maternal Horror Film Melodrama and Motherhood
Maternal Horror Film: Melodrama and Motherhood examines the function of the mother figure in horror film. Using psychoanalytic film theory as well as comparisons with the melodrama film, Arnold investigates the polarized images of monstrous and sacrificin
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Maternal Horror Film Melodrama and Motherhood Sarah Arnold University College Falmouth, UK
Sarah Arnold © 2013
Softcover reprint of the hardcover 1st edition 2013 978-1-137-01411-5 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2013 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries.
ISBN 978-1-349-66857-1 ISBN 978-1-137-01412-2 (eBook) DOI 10.1057/9781137014122 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. 10 9 8 7 6 5 4 3 2 1 22 21 20 19 18 17 16 15 14 13
Contents
Acknowledgements
vii
Introduction Psychoanalysis and the Good and Bad Mother The maternal in film theory Maternal melodrama and its uses Maternal horror
1 5 17 21 26
1 The Good Mother Psychoanalysis, horror and the Good Mother Family discontents: Questioning the function of the Good Mother in post-classical horror Moments of resistance
37 40
2 The Bad Mother Cultural and historical discourses of the Bad Mother: Symbolism and practice through the ages Melodrama and the Bad Mother horror film The Brood Melancholia and the mother: Traces of gothic
68
45 53
71 76 79 91
3 A Comparative Analysis of Motherhood in Recent Japanese and US Horror Films Why Japan? Motherhood and self-sacrifice in Japan Dark Water Ringu and The Ring
115 115 119 126 137
4 Pregnancy in the Horror Film: Reproduction and Maternal Discourses Pregnancy in science/medical horror Religion and pregnancy horror films
154 162 169
v
vi Contents
Conclusion
181
Notes
185
Bibliography
189
Filmography
198
Index
201
Acknowledgements I would like t
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