Mechanical, anatomical and modeling techniques for alto saxophone reed evaluation and classification
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Mechanical, anatomical and modeling techniques for alto saxophone reed evaluation and classification Connor Kemp1,2 · Gary Scavone1,2 Received: 5 November 2019 / Accepted: 16 September 2020 / Published online: 1 October 2020 © Springer-Verlag GmbH Germany, part of Springer Nature 2020
Abstract This study evaluates alto saxophone reed stiffness characterization techniques using several approaches, including a unique point-stiffness methodology and anatomical image analyses. Point-stiffness is experimentally characterized at multiple locations along the tip of the reed to capture spatial variability in stiffness. Forty-eight reeds of varying manufacturer-rated stiffness (but identical cut) were analyzed with respect to point-stiffness and anatomical structures. Observations of point-stiffness variability in these reeds are made and illustrate the shortcomings of typical manufacturing sorting methods. Point-stiffness measurements and perceptual evaluation of a subset of eight reeds were performed concurrently by a professional musician playing on the reeds regularly over a 2.5 month duration. Single values of point-stiffness at specific tip locations are found to be correlated with the musician’s perceptual rankings, and point-stiffness variations between each of the tested reed tip locations (termed asymmetry) are found to be important for interpreting the musician’s rankings of ‘soft’ and ‘stiff’ reeds. Anatomical evaluation of the reeds is performed using optical microscopy to aid in quantifying the differences in point-stiffness observed between reeds. Correlations between point-stiffness and anatomical structures are found and an effective point-stiffness model, dependent on these anatomical structures, is developed. Good agreement between the model and measured point-stiffness is observed. These results could help in the development of more accurate sorting and categorization methods for manufactured reeds, reducing the variability often observed by musicians.
Connor Kemp and Gary Scavone have contributed equally. * Connor Kemp [email protected] Gary Scavone [email protected] 1
Computational Acoustic Modeling Laboratory, Music Technology, Schulich School of Music, McGill University, Montreal, Canada
2
Centre for Interdisciplinary Research in Music, Media and Technology, Montreal, Canada
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Vol.:(0123456789)
1678
Wood Science and Technology (2020) 54:1677–1704
Introduction The reed and its vibrational behavior are a critical component of any reed music instrument. Traditional woodwind reeds are manufactured from Arundo donax L (ADL). Although reeds are sorted and categorized by the manufacturer according to stiffness, significant variability is often observed between them. This variability is partly the result of testing methods that do not adequately characterize the stiffness of a reed, changes due to environmental conditions between testing and playing, and the complexity of the reed material itself. To make matters worse, reed behavior changes over time when played, with a ‘breakin
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