Neo-Victorianism on Screen Postfeminism and Contemporary Adaptations
This book broadens the scope of inquiry of neo-Victorian studies by focusing primarily on screen adaptations and appropriations of Victorian literature and culture. More specifically, this monograph spotlights the overlapping yet often conflicting drives
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Neo-Victorianism on Screen Postfeminism and Contemporary Adaptations of Victorian Women
Antonija Primorac
Palgrave Studies in Adaptation and Visual Culture Series Editors Julie Grossman Le Moyne College Syracuse, NY, USA R. Barton Palmer Department of English Clemson University Clemson, SC, USA
This new series addresses how adaptation functions as a principal mode of text production in visual culture. What makes the series distinctive is its focus on visual culture as both targets and sources for adaptations, and a vision to include media forms beyond film and television such as videogames, mobile applications, interactive fiction and film, print and nonprint media, and the avant-garde. As such, the series will contribute to an expansive understanding of adaptation as a central, but only one, form of a larger phenomenon within visual culture. Adaptations are texts that are not singular but complexly multiple, connecting them to other pervasive plural forms: sequels, series, genres, trilogies, authorial oeuvres, appropriations, remakes, reboots, cycles and franchises. This series especially welcomes studies that, in some form, treat the connection between adaptation and these other forms of multiplicity. We also welcome proposals that focus on aspects of theory that are relevant to the importance of adaptation as connected to various forms of visual culture. Editorial Board Sarah Cardwell, University of Kent, UK Deborah Cartmell, De Montfort University, UK Timothy Corrigan, University of Pennsylvania, US Lars Ellestrom, Linnaeus University, Sweden Kamilla Elliott, Lancaster University, UK Christine Geraghty, University of Glasgow, UK Helen Hanson, University of Exeter, UK Linda Hutcheon, University of Toronto, Canada Glenn Jellenik, University of Central Arkansas, US Thomas Leitch, University of Delaware, US Brian McFarlane, Monash University, Australia Simone Murray, Monash University, Australia James Naremore, Indiana University, US Kate Newell, Savannah College of Art and Design, US Laurence Raw, Baskent University, Turkey Robert Stam, New York University, US Constantine Verevis, Monash University, Australia Imelda Whelehan, Australian National University, Australia Shannon Wells-Lassagne, Universite de Bretagne Sud, France
More information about this series at http://www.springer.com/series/14654
Antonija Primorac
Neo-Victorianism on Screen Postfeminism and Contemporary Adaptations of Victorian Women
Antonija Primorac Faculty of Humanities and Social Sciences University of Split Split, Croatia
Palgrave Studies in Adaptation and Visual Culture ISBN 978-3-319-64558-2 ISBN 978-3-319-64559-9 (eBook) https://doi.org/10.1007/978-3-319-64559-9 Library of Congress Control Number: 2017949208 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduc
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