Pitch Transition and Pitch Stability
The pitch is the fundamental parameter for understanding objectively various aspect of melodic music. A pitch contour describes a series of relative pitch transitions adjoining the abstractions of a sequence of steady states called notes. While the quasi
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Asoke Kumar Datta · Sandeep Singh Solanki Ranjan Sengupta · Soubhik Chakraborty Kartik Mahto · Anirban Patranabis
Signal Analysis of Hindustani Classical Music
Signals and Communication Technology
More information about this series at http://www.springer.com/series/4748
Asoke Kumar Datta Sandeep Singh Solanki Ranjan Sengupta Soubhik Chakraborty Kartik Mahto Anirban Patranabis •
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Signal Analysis of Hindustani Classical Music
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Asoke Kumar Datta Sir C V Raman Centre for Physics and Music Jadavpur University Kolkata, West Bengal India Sandeep Singh Solanki Department of Electronics and Communication Engineering Birla Institute of Technology, Mesra Ranchi, Jharkhand India Ranjan Sengupta Sir C V Raman Centre for Physics and Music Jadavpur University Kolkata, West Bengal India
Soubhik Chakraborty Department of Mathematics Birla Institute of Technology, Mesra Ranchi, Jharkhand India Kartik Mahto Department of Electronics and Communication Engineering Birla Institute of Technology, Mesra Ranchi, Jharkhand India Anirban Patranabis Sir C V Raman Centre for Physics and Music Jadavpur University Kolkata, West Bengal India
ISSN 1860-4862 ISSN 1860-4870 (electronic) Signals and Communication Technology ISBN 978-981-10-3958-4 ISBN 978-981-10-3959-1 (eBook) DOI 10.1007/978-981-10-3959-1 Library of Congress Control Number: 2017932638 © Springer Science+Business Media Singapore 2017 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Printed on acid-free paper This Springer imprint is published by Springer Nature The registered company is Springer Nature Singapore Pte Ltd. The registered company address is: 152 Beach Road, #21-01/04 Gateway East, Singapore 189721, Singapore
Prologue
This book looks at music through the eyes of science. Music is subjective, and science is objective. It is thus an attempt to translate subjectivity into objectivity to the extent po
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