A Global Doll's House Ibsen and Distant Visions

'Anyone engaged in the critical evaluation of individual productions of A Doll House would do well to consult this groundbreaking presentation of an international baseline of performance interpretation, one based in a cumulative historical practice that u

  • PDF / 7,894,925 Bytes
  • 244 Pages / 419.58 x 612.28 pts Page_size
  • 8 Downloads / 192 Views

DOWNLOAD

REPORT


A GLOBAL DOLL’S HOUSE Ibsen and Distant Visions

J U L I E HO L L E D G E, J O N AT HA N BO L L E N, FRO D E HE L L A N D and J OA N N E TO M PK I N S

Palgrave Studies in Performance and Technology

Series Editors Susan Broadhurst School of Arts Brunel University Uxbridge, United Kingdom Josephine Machon Middlesex University London, United Kingdom

Aim of the Series This exciting and timely series features cutting-edge books which centre on global and embodied approaches to performance and technology. As well as focussing on digital performance and art, the series includes the theoretical and historical context relevant to these practices. Not only does the series offer fresh artistic and theoretical perspectives on this exciting and growing area of contemporary performance practice, but it also aims to include contributors from a wide range of international locations working within this varied discipline. The series includes edited collections and monographs on issues including (but not limited to): identity and live art; intimacy and engagement with technology; biotechnology and artistic practices; technology, architecture and performance; performance, gender and technology; and space and performance. The Editorial Advisory Board is: Philip Auslander, Carol Brown, Sita Popat, and Tracey Warr. We welcome all ideas for new books and have provided guidelines for submitting proposals in the Authors section of our website. To discuss project ideas and proposals for this series please contact the series editors: Susan Broadhurst: [email protected] and Josephine Machon: [email protected].

More information about this series at http://www.springer.com/series/14604

Julie Holledge • Jonathan Bollen • Frode Helland • Joanne Tompkins

A Global Doll’s House Ibsen and Distant Visions

Julie Holledge Centre for Ibsen Studies University of Oslo Norway

Jonathan Bollen School of the Arts and Media University of New South Wales Sydney, Australia

Frode Helland Centre for Ibsen Studies University of Oslo Norway

Joanne Tompkins Humanities and Social Sciences University of Queensland St Lucia, Australia

Palgrave Studies in Performance and Technology ISBN 978-1-137-43898-0 ISBN 978-1-137-43899-7 DOI 10.1057/978-1-137-43899-7

(eBook)

Library of Congress Control Number: 2016953093 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered