Affective Intensities in Extreme Music Scenes Cases from Australia a
An ethnographic study of gender, place and belonging, Affective Intensities introduces readers to the embodied sensations, flows and experiences of being in extreme music scenes in Australia and Japan.
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Pop Music, Culture and Identity Series Editors: Steve Clark, University of Tokyo, Japan, Tristanne Connolly, St Jerome’s, University of Waterloo, Canada and Jason Whittaker, Falmouth University, UK Advisory Board: Chris Best, University College Falmouth, UK, Audrey Faine, Vice President of Marketing, CBS Records, Gavin Hayes, Musician, USA, John Hutnyk, Goldsmiths, University of London, UK, Allan F. Moore, University of Surrey, UK, Ryan Moore, Florida Atlantic University. USA, Jennifer Otter, University of East London, UK, John Phillips, National University of Singapore, Singapore, Cristina Ruotolo, San Francisco, USA, Karl Simms, University of Liverpool, UK, Will Straw, McGill University, Canada and Steve Waksman, Smith College, USA Pop music lasts. A form all too often assumed to be transient, commercial and mass-cultural has proven itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced by factors such as nation, class, gender, ethnicity, location/situation, and historical period. Pop Music, Culture and Identity investigates the implications of this greatly enhanced status. Particular attention will be paid to issues such as the iconography of celebrity, the ever-expanding archive, the nature of the performance-event, the parameters of generational memory, and the impact of new technologies on global marketing. In particular, the series aims to highlight interdisciplinary approaches and incorporate the informed testimony of the fan alongside a challenging diversity of academic methodologies. Rosemary Overell AFFECTIVE INTENSITIES IN EXTREME MUSIC SCENES Cases from Australia and Japan
Pop Music, Culture and Identity Series Standing Order ISBN 978–1–137–03381–9 (hardback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England
Affective Intensities in Extreme Music Scenes Cases from Australia and Japan Rosemary Overell University of Otago, New Zealand
© Rosemary Overell 2014 Softcover reprint of the hardcover 1st edition 2014 978-1-137-40676-7 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asse
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