Analysis, Synthesis, and Perception of Musical Sounds The Sound of M
Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q tran
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Analysis, Synthesis, and Perception of Musical Sounds The Sound of Music James W. Beauchamp Editor
Modern Acoustics and Signal Processing
Analysis, Synthesis, and Perception of Musical Sounds
Modern Acoustics and Signal Processing Editors-in-Chief ROBERT T. BEYER Department of Physics, Brown University, Providence, Rhode Island WILLIAM HARTMANN Department of Physics and Astronomy, Michigan State University, East Lansing, Michigan Editorial Board YOICHI ANDO, Graduate School of Science and Technology, Kobe University, Kobe, Japan ARTHUR B. BAGGEROER, Department of Ocean Engineering, Massachusetts Institute of Technology, Cambridge, Massachusetts NEVILLE H. FLETCHER, Research School of Physical Science and Engineering, Australian National University, Canberra, Australia CHRISTOPHER R. FULLER, Department of Mechanical Engineering, Virginia Polytechnic Institute and State University, Blacksburg, Virginia WILLIAM M. HARTMANN, Department of Physics and Astronomy, Michigan State University, East Lansing, Michigan JOANNE L. MILLER, Department of Psychology, Northeastern University, Boston, Massachusetts JULIA DOSWELL ROYSTER, Environmental Noise Consultants, Raleigh, North Carolina LARRY ROYSTER, Department of Mechanical and Aerospace Engineering, North Carolina State University, Raleigh, North Carolina MANFRED R. SCHRÖDER, Göttingen, Germany ALEXANDRA I. TOLSTOY, ATolstoy Sciences, Annandale, Virginia WILLIAM A. VON WINKLE, New London, Connecticut Books In The Series Producing Speech: Contemporary Issues for Katherine Safford Harris, edited by Fredericka Bell-Berti and Lawrence J. Raphael Signals, Sound, and Sensation, by William M. Hartmann Computational Ocean Acoustics, by Finn B. Jensen, William A. Kuperman, Michael B. Porter, and Henrik Schmidt Pattern Recognition and Prediction with Applications to Signal Characterization, by David H. Kil and Frances B. Shin Oceanography and Acoustics: Prediction and Propagation Models, edited by Alan R. Robinson and Ding Lee Handbook of Condenser Microphones, edited by George S.K. Wong and Tony F.W. Embleton (continued after index)
Analysis, Synthesis, and Perception of Musical Sounds The Sound of Music James W. Beauchamp Editor University of Illinois at Urbana, USA
James W. Beauchamp Professor Emeritus School of Music Department of Electrical and Computer Engineering University of Illinois at Urbana-Champaign Urbana, IL 61801 USA [email protected]
Cover illustration: Analysis and resynthesis of a piano tone. Library of Congress Control Number: 2006920599 ISBN-10: 0-387-32496-8 ISBN-13: 978-0387-32496-8
e-ISBN-10: 0-387-32576-X e-ISBN-13: 978-0387-32576-7
Printed on acid-free paper. © 2007 Springer Science+Business Media, LLC All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and r
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