Anamorphic Authorship in Canonical Film Adaptation A Case Study of S
This book develops a new approach for the study of films adapted from canonical ‘originals’ such as Shakespeare’s plays. Departing from the current consensus that adaptation is a heightened example of how all texts inform and are informed by other texts,
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Anamorphic Edited by Authorship in Elizabeth Gregory Stacy Carson Hubbard Canonical Film Adaptation A Case Study of Shakespearean Films Robert Geal
Palgrave Studies in Adaptation and Visual Culture Series Editors Julie Grossman Le Moyne College Syracuse, NY, USA R. Barton Palmer Clemson University Clemson, SC, USA
This new series addresses how adaptation functions as a principal mode of text production in visual culture. What makes the series distinctive is its focus on visual culture as both targets and sources for adaptations, and a vision to include media forms beyond film and television such as videogames, mobile applications, interactive fiction and film, print and nonprint media, and the avant-garde. As such, the series will contribute to an expansive understanding of adaptation as a central, but only one, form of a larger phenomenon within visual culture. Adaptations are texts that are not singular but complexly multiple, connecting them to other pervasive plural forms: sequels, series, genres, trilogies, authorial oeuvres, appropriations, remakes, reboots, cycles and franchises. This series especially welcomes studies that, in some form, treat the connection between adaptation and these other forms of multiplicity. We also welcome proposals that focus on aspects of theory that are relevant to the importance of adaptation as connected to various forms of visual culture. Advisory Board Sarah Cardwell, University of Kent, UK Deborah Cartmell, De Montfort University, UK Timothy Corrigan, University of Pennsylvania, US Lars Ellestrom, Linnaeus University, Sweden Kamilla Elliott, Lancaster University, UK Christine Geraghty, University of Glasgow, UK Helen Hanson, University of Exeter, UK Linda Hutcheon, University of Toronto, Canada Glenn Jellenik, University of Central Arkansas, US Thomas Leitch, University of Delaware, US Brian McFarlane, Monash University, Australia Simone Murray, Monash University, Australia James Naremore, Indiana University, US Kate Newell, Savannah College of Art and Design, US Robert Stam, New York University, US Constantine Verevis, Monash University, Australia Imelda Whelehan, University of Tasmania, Australia Shannon Wells-Lassagne, Université de Bourgogne, France More information about this series at http://www.palgrave.com/gp/series/14654
Robert Geal
Anamorphic Authorship in Canonical Film Adaptation A Case Study of Shakespearean Films
Robert Geal Department of Film, Media and Broadcasting University of Wolverhampton Wolverhampton, UK
Palgrave Studies in Adaptation and Visual Culture ISBN 978-3-030-16495-9 ISBN 978-3-030-16496-6 (eBook) https://doi.org/10.1007/978-3-030-16496-6 © The Editor(s) (if applicable) and The Author(s) 2019 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information
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