Baroque, Venice, Theatre, Philosophy
This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises,
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Performance Philosophy is an emerging interdisciplinary field of thought, creative practice and scholarship. The newly founded Performance Philosophy book series comprises monographs and essay collections addressing the relationship between performance and philosophy within a broad range of philosophical traditions and performance practices, including drama, theatre, performance arts, dance, art and music. It also includes studies of the performative aspects of life and, indeed, philosophy itself. As such, the series addresses the philosophy of performance as well as performance-as-philosophy and philosophy-as-performance. Series Advisory Board: Emmanuel Alloa, Assistant Professor in Philosophy, University of St. Gallen, Switzerland; Lydia Goehr, Professor of Philosophy, Columbia University, USA; James R. Hamilton, Professor of Philosophy, Kansas State University, USA; Bojana Kunst, Professor of Choreography and Performance, Institute for Applied Theatre Studies, Justus-Liebig University Giessen, Germany; Nikolaus Müller-Schöll, Professor of Theatre Studies, Goethe University, Frankfurt am Main, Germany; Martin Puchner, Professor of Drama and of English and Comparative Literature, Harvard University, USA; Alan Read, Professor of Theatre, King’s College London, UK; Freddie Rokem, Professor (Emeritus) of Theatre Arts, Tel Aviv University, Israel http://www.performancephilosophy.org/books/
More information about this series at http://www.springer.com/series/14558
Will Daddario
Baroque, Venice, Theatre, Philosophy
Will Daddario Independent Scholar Asheville, North Carolina, USA
Performance Philosophy ISBN 978-3-319-49522-4 DOI 10.1007/978-3-319-49523-1
ISBN 978-3-319-49523-1 (eBook)
Library of Congress Control Number: 2017938277 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover im
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