Curating the Digital Space for Art and Interaction
This book combines work from curators, digital artists, human computer interaction researchers and computer scientists to examine the mutual benefits and challenges posed when working together to support digital art works in their many forms. In Curating
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David England Thecla Schiphorst Nick Bryan-Kinns Editors
Curating the Digital Space for Art and Interaction
Springer Series on Cultural Computing Editor-in-Chief Ernest Edmonds, University of Technology, Sydney, Australia Editorial Board Frieder Nake, University of Bremen, Bremen, Germany Nick Bryan-Kinns, Queen Mary University of London, London, UK Linda Candy, University of Technology, Sydney, Australia David England, Liverpool John Moores University, Liverpool, UK Andrew Hugill, De Montfort University, Leicester, UK Shigeki Amitani, Adobe Systems Inc., Tokyo, Japan Doug Riecken, Columbia University, New York, USA Jonas Lowgren, Linköping University, Norrköping, Sweden
More information about this series at http://www.springer.com/series/10481
David England • Thecla Schiphorst Nick Bryan-Kinns Editors
Curating the Digital Space for Art and Interaction
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Editors David England Department of Computer Science Liverpool John Moores University Liverpool, UK
Thecla Schiphorst School of Interactive Arts and Technology Simon Fraser University Surrey, BC, Canada
Nick Bryan-Kinns School of Electronic Engineering and Computer Science Queen Mary University of London London, UK
ISSN 2195-9056 ISSN 2195-9064 (electronic) Springer Series on Cultural Computing ISBN 978-3-319-28720-1 ISBN 978-3-319-28722-5 (eBook) DOI 10.1007/978-3-319-28722-5 Library of Congress Control Number: 2016937976 © Springer International Publishing Switzerland 2016 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper This Springer imprint is published by Springer Nature The registered company is Springer International Publishing AG Switzerland
Acknowledgements
There are many people to thank in the production of this volume. Our co-workshop organisers, Celine Latulipe, Ernest Edmonds and Linda Candy were invaluable in the lead up to the workshop, at the workshop itself, and later in negotiating with SIGCHI; the ACM SIGCHI Executive committee for their continued support of Art
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