Functioning Forms / Anti-Design
my initial education was in engineering. After working for a few years at an aviation research institute, I began to explore other fields: medicine and visual art. I did not become a doctor but did take up sculpture after attending private classes and vis
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For My Loving Parents
ALISON J. CLARKE (ED.)
DESIGN ANTHROPOLOGY OBJECT CULTURE IN THE 21ST CENTURY
Edition Angewandte Book Series of the University of Applied Arts Vienna Edited by Gerald Bast, Rector
This book is the outcome of a lengthy and exciting journey into the various objects, disciplines, and debates that form the bridges between contemporary design and anthropology. Many of the contributors are colleagues from academia, industry, and design with whom I have shared discussions, or simply listened to intently, at conferences, workshops, and events over the years. Design Anthropology is a testament to the generosity of the contributing authors, whose articles arose from a genuine collective interest in disseminating knowledge beyond the tight parameters of their disciplines to specifically address the phenomenon of design anthropology. The original proposal for this anthology was thrashed out with my PhD student, and then student assistant, Kathrina Dankl, whose enthusiasm was invaluable. I would also like to thank enormously Gerald Bast, Anja Seipenbusch, Elfe Fritz, Angela Fössl, Bryleigh Morsink, Katharina Wohlrab, Erwin Bauer, Diana Young, Daniel Miller, Fiona Raby, Harlanne Roberts and Harvey Molotch who in various ways, practical and otherwise, helped the project to its completion. And I thank my inspiring family Constance, Solomon, and Paul for their unerring love and support.
5
INTRODUCTION
09
ALISON J. CLARKE
DESIGNERS GO NATIVE
Chapter 1
PEOPLE, OBJECTS AND ENTANGLEMENTS
16
Chapter 5
JANE FULTON SURI
ALISON J. CLARKE
Poetic Observation : What Designers Make of What They See
The Anthropological Object in Design: From Victor Papanek to Superstudio
Chapter 2
33
Chapter 6
JAMER HUNT
DANIEL MILLER
Prototyping the Social: Temporality and Speculative Futures at the Intersection of Design and Culture
Designing Ourselves Chapter 7
74
88
100
HARVEY MOLOTCH
Chapter 3
45
Objects in Sociology
JO-ANNE BICHARD & RAMA GHEERAWO
The Designer as Ethnographer: Practical Projects from Industry Chapter 4 LORRAINE GAMMAN & ADAM THORPE
Criminality and Creativity: What’s at Stake in Designing Against Crime?
Chapter 8 DIANA YOUNG
56
Coloring Cars: Customizing Motor Vehicles in the East of the Australian Western Desert
117
MUTATING FORMS, SHIFTING MATERIALITIES
Chapter 9
FUTURE TRAJECTORIES: FUTURE USERS
130
Chapter 13
SUSANNE KÜCHLER
MARIA BEZAITIS & RICK ROBINSON
Materials and Design
Valuable to Values: How ‘User Research’ Ought to Change
Chapter 10
142
PAULINE GARVEY
Chapter 14
Consuming Ikea: Inspiration as Material Form
LANE DENICOLA
Chapter 11
202
The Digital as Para-World: Design, Anthropology, and Information Technologies 154
NICOLETTE MAKOVICKY
Chapter 15
‘Erotic Needlework’: Vernacular Designs on the 21st Century Market
KATHRINA DANKL
Chapter 12
184
212
31m2 and Style 169
Chapter 16
229
VLADIMIR ARKHIPOV
SIMON ROBERTS
Functioning Forms / Anti-Design
Technology for the Future, Design for the Present?
Authors‘ Biographies Index
244 250
ALI
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