Manga Cultures and the Female Gaze
The female gaze is used by writers and readers to examine narratives from a perspective that sees women as subjects instead of objects, and the application of a female gaze to male-dominated discourses can open new avenues of interpretation. This book exp
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Manga Cultures and the Female Gaze Kathryn Hemmann
East Asian Popular Culture Series Editors Yasue Kuwahara Department of Communication Northern Kentucky University Highland Heights, KY, USA John A. Lent International Journal of Comic Art Drexel Hill, PA, USA
This series focuses on the study of popular culture in East Asia (referring to China, Hong Kong, Japan, Mongolia, North Korea, South Korea, and Taiwan) in order to meet a growing interest in the subject among students as well as scholars of various disciplines. The series examines cultural production in East Asian countries, both individually and collectively, as its popularity extends beyond the region. It continues the scholarly discourse on the recent prominence of East Asian popular culture as well as the give and take between Eastern and Western cultures. More information about this series at http://www.palgrave.com/gp/series/14958
Kathryn Hemmann
Manga Cultures and the Female Gaze
Kathryn Hemmann East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA, USA
East Asian Popular Culture ISBN 978-3-030-18094-2 ISBN 978-3-030-18095-9 (eBook) https://doi.org/10.1007/978-3-030-18095-9 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Naomi Skye, Lightsintheskye LLC. Used with permission of artist. This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG. The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Acknowledgments
I would like to extend my gratitude to the editors at Palgrave who have shepherded this book to completion. Shaun Vigil was enthusiastic from the beginning, and Camille Davies and Liam McLean have helped guide me through this
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