Nanotechnologies in the Conservation of Cultural Heritage A compendi
This book presents novel applications of nanotechnology for the preservation of artistic and historical artifacts. It explains the scientific principles behind numerous nanomaterials and discusses their applications to different types of common movable an
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Piero Baglioni • David Chelazzi • Rodorico Giorgi
Nanotechnologies in the Conservation of Cultural Heritage A compendium of materials and techniques
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Piero Baglioni Department of Chemistry and CSGI University of Florence Florence Italy
Rodorico Giorgi Department of Chemistry and CSGI University of Florence Florence Italy
David Chelazzi Department of Chemistry and CSGI University of Florence Florence Italy
ISBN 978-94-017-9302-5 DOI 10.1007/978-94-017-9303-2
ISBN 978-94-017-9303-2 (eBook)
Springer Dordrecht Heidelberg New York London Library of Congress Control Number: 2014952024 © Springer Science+Business Media Dordrecht 2015 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. While the advice and information in this book are believed to be true and accurate at the date of publication, neither the authors nor the editors nor the publisher can accept any legal responsibility for any errors or omissions that may be made. The publisher makes no warranty, express or implied, with respect to the material contained herein. Printed on acid-free paper Springer is part of Springer Science+Business Media (www.springer.com)
Preface
The idea of writing this book, mainly aimed at practitioners in the field of Cultural Heritage preservation, came from continuous interaction with conservators and their requirement for practical guidelines on the use of nanomaterials for conservation. Accordingly, this compendium deals with both the fundamental principles and practical usage of different innovative nanomaterials for several classes of common movable and immovable artistic substrates. The ideal audience comprises all the conservation end-users, such as freelance conservators and restorers, personnel a
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