Post-Unification Turkish German Cinema Work, Globalisation and Polit
This book examines post-Unification Turkish German cinema with a focus on ethics, affectivity and labour. Shifting the focus from the longstanding concerns of integration, identity and cultural conflict, the author argues that these films no longer emphas
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Gozde Naiboglu
Post-Unification Turkish German Cinema Work, Globalisation and Politics Beyond Representation
Gozde Naiboglu University of Leicester Leicester, UK
ISBN 978-3-319-64430-1 ISBN 978-3-319-64431-8 (eBook) https://doi.org/10.1007/978-3-319-64431-8 Library of Congress Control Number: 2017948725 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover image: © uncle-rico/Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Acknowledgements
There are a number of people whose support and feedback I have appreciated while I was working on this book. I owe my deepest gratitude to Margaret Littler, whose tremendous support, generosity and mentorship made it possible for me to start and complete this project. I am grateful to Christopher Perriam, David Martin Jones, Annie Ring, Michael Goddard, Felicity Colman, Davey Potts, Cathy Gelbin, Barbara Mennel and Marco Abel for their extremely helpful comments and feedback. Thank you everyone on the publishing team at Palgrave for their support. I am also grateful to my colleagues at the University of Leicester, especially Guy Barefoot and Claire Jenkins for their encouragement. Special thanks are also due to Tanya Horeck, Tina Kendall, Sarah Barrow, Patricia MacCormack, Jussi Parikka, Milla Tiainen and Guido Rings for their support, encouragement and inspiration particularly at the early conception stages of this project. I am indebted to the staff at the Film University Babelsberg Konrad Wolf Library, and the Deutsche Kinemathek Berlin for making it possible for me to watch many of the films that are under discussion in this book. I am al
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