Screening the Face
Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman
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Screening the Face
Paul Coates
Copyright material from www.palgraveconnect.com - licensed to McGill University - PalgraveConnect - 2013-05-02
Screening the Face
10.1057/9781137012289 - Screening the Face, Paul Coates
Also by Paul Coates CINEMA AND COLOUR: THE SATURATED IMAGE
THE DOUBLE AND THE OTHER: IDENTITY AS IDEOLOGY IN POST-ROMANTIC FICTION FILM AT THE INTERSECTION OF HIGH AND MASS CULTURE THE GORGON’S GAZE: GERMAN CINEMA, EXPRESSIONISM AND THE IMAGE OF HORROR IDENTYCZNOS´C´ I NIEIDENTYCZNOS´C´ W TWÓRCZOS´CI BOLESŁAWA LES´MIANA LUCID DREAMS: THE FILMS OF KRZYSZTOF KIES´LOWSKI (ED.) THE REALIST FANTASY: FICTION AND REALITY SINCE “CLARISSA” THE RED AND THE WHITE: THE CINEMA OF PEOPLE’S POLAND THE STORY OF THE LOST REFLECTION: THE ALIENATION OF THE IMAGE IN WESTERN AND POLISH CINEMA WORDS AFTER SPEECH: A COMPARATIVE STUDY OF ROMANTICISM AND SYMBOLISM
10.1057/9781137012289 - Screening the Face, Paul Coates
Copyright material from www.palgraveconnect.com - licensed to McGill University - PalgraveConnect - 2013-05-02
CINEMA, RELIGION AND THE ROMANTIC LEGACY
Screening the Face Paul Coates Copyright material from www.palgraveconnect.com - licensed to McGill University - PalgraveConnect - 2013-05-02
University of Western Ontario, Canada
10.1057/9781137012289 - Screening the Face, Paul Coates
© Paul Coates 2012
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