Shifting Corporealities in Contemporary Performance Danger, Im/mobil
This book investigates how contemporary artistic practices engage with the body and its intersection with political, technological, and ethical issues. Departing from the relationship between corporeality and performing arts (such as theater, dance, and p
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EDITED BY MARINA GRZINIC´ AND ANETA STOJNIC´
Avant-Gardes in Performance Series Editor Sarah Bay-Cheng Bowdoin College Brunswick, ME, USA
Despite the many acts of denial and resistance embodied in the phrase “death of the avant-garde,” interest in experimental, innovative, and politically radical performance continues to animate theatre and performance studies. For all their attacks upon tradition and critical institutions, the historical and subsequent avant-gardes remain critical touchstones for continued research in the disciplines of theatre, performance studies, film and cinema studies, media study, art history, visual studies, dance, music, and nearly every area of the performing arts. “Avant-Gardes in Performance” features exciting new scholarship on radical and avant-garde performance. By engaging with the charged term “avant-garde,” we consider performance practices and events that are formally avant-garde, as defined by experimentation and breaks with traditional structures, practices, and content; historically avant-garde, defined within the global aesthetic movements of the early twentieth century, including modernism and its many global aftermaths; and politically radical, defined by identification with extreme political movements on the right and left alike. The series brings together close attention to a wide range of innovative performances with critical analyses that challenge conventional academic practices. More information about this series at http://www.palgrave.com/gp/series/14783
Marina Gržinić • Aneta Stojnić Editors
Shifting Corporealities in Contemporary Performance Danger, Im/mobility and Politics
Editors Marina Gržinić Institute of Fine Arts (IBK) Academy of Fine Arts Vienna Vienna, Austria
Aneta Stojnić Singidunum University Belgrade, Serbia
Avant-Gardes in Performance ISBN 978-3-319-78342-0 ISBN 978-3-319-78343-7 (eBook) https://doi.org/10.1007/978-3-319-78343-7 Library of Congress Control Number: 2018951783 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express o
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