Resounding International Relations On Music, Culture, and Politics
This book explores a provocative area of inquiry for critical theory and research into world politics and popular culture: music. Not just because political science barely engages with anything musical, but also because it is clear that many opportunities
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Resounding International Relations On Music, Culture, and Politics edited by
M. I. Franklin
RESOUNDING INTERNATIONAL RELATIONS
© M. I. Franklin, 2005. Softcover reprint of the hardcover 1st edition 2005 978-1-4039-6755-8 All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2005 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 978-1-349-73395-8 ISBN 978-1-137-05617-7 (eBook) DOI 10.1007/978-1-137-05617-7 Library of Congress Cataloging-in-Publication Data Resounding international relations : on music, culture, and politics / edited by M.I. Franklin. p. cm. Includes bibliographical and discographical references and index. 1. Music and globalization. 2. Music—Political aspects. 3. International relations and culture. I. Franklin, Marianne, 1959– ML3916.R47 2005 306.4⬘842—dc22
2005046425
A catalogue record for this book is available from the British Library. Design by Newgen Imaging Systems (P) Ltd., Chennai, India. First edition: October 2005 10 9 8 7 6 5 4 3 2 1
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Contents
Editor’s Preface and Acknowledgments
ix
Notes on Contributors
xi
1. Introductory Improvisations on a Theme: Resounding International Relations M. I. Franklin
1
I. Music in a Material World 2. Concentrated Industry, Fragmented Consumption: The Global Music Industry in the New Millennium Christopher May
29
3. Sounds Complicated? Music, Film, and Media Synergies Jayne Rodgers and Annette Davison
53
4. Sharing as Piracy: The Digital Future of Music Debora Halbert
71
5. Americanization at Its Best?: The Globalization of Jazz Robin Brown
89
II. Music in an Alienating World 6. Do It Yourself: Punk Rock and the Disalienation of International Relations Matt Davies
113
7. Who Is Listening? Hip-Hop in Sierra Leone, Liberia, and Senegal Katrin Lock
141
viii
Contents
8. “My Dance Immoral? Alhamdulillah No!” Dangdut Music and Gender Politics in Contemporary Indonesia Sonja van Wichelen
161
9. Of Things We Hear but Cannot See: Musical Explorations of International Politics Roland Bleiker
179
III. Musical Utopias 10. Sounds of Peace: On Peace Fantasies and Peace Offerings in Classical Music Dieter Senghaas
199
11. Operatic Mythologies, Political Performativity, and Cinema: Verdi, Visconti, and the Risorgimento Terrell Carver
223
12. A Medium of Others: Rhythmic Soundscapes as Critical Utopias Phil Weinrobe and Naeem Inayatullah
239
13. The Clash of Civilization: Notes from a Punk/Scholar Kevin C. Dunn
263
Bibliogr
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