Robotic Fabrication in Architecture, Art and Design 2016
The book presents the proceedings of Rob/Arch 2016, the third international conference on robotic fabrication in architecture, art, and design. The work contains a wide range of contemporary topics, from methodologies for incorporating dynamic material fe
- PDF / 25,093,150 Bytes
- 487 Pages / 453.543 x 683.15 pts Page_size
- 68 Downloads / 174 Views
Robotic Fabrication in Architecture, Art and Design 2016
Robotic Fabrication in Architecture, Art and Design 2016
Dagmar Reinhardt Rob Saunders Jane Burry •
Editors
Robotic Fabrication in Architecture, Art and Design 2016 Foreword by Sigrid Brell-Çokcan and Johannes Braumann, Association for Robots in Architecture with contributions by Marjo Niemelä
123
Editors Dagmar Reinhardt Faculty of Architecture, Design and Planning University of Sydney Sydney, NSW Australia
Jane Burry School of Architecture and Design RMIT University Melbourne, NSW Australia
Rob Saunders Faculty of Architecture, Design and Planning University of Sydney Sydney, NSW Australia
Funded by KUKA Robotics and the Association for Robots in Architecture ISBN 978-3-319-26376-2 DOI 10.1007/978-3-319-26378-6
ISBN 978-3-319-26378-6
(eBook)
Library of Congress Control Number: 2015955855 Springer Cham Heidelberg New York Dordrecht London © Springer International Publishing Switzerland 2016 Chapter 2 is published with kind permission of the © John Wiley & Sons Ltd. 2014. This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper Springer International Publishing AG Switzerland is part of Springer Science+Business Media (www.springer.com)
Foreword by the Association for Robots in Architecture
It is incredible to conceive that only four years and two conferences have passed since the very first Rob|Arch in Vienna in 2012. At that time, the largest part of the audience were people with a general interest in new technologies, innovative workflows, and large-scale machines—but without any actual hands-on experience with robotic arms. At that time, it was also not clear if the use of industrial robots in the creative industry would be a short-lived hype, or something sustainable and permanent. With the number of robot installations growing nearly exponentially, robotic arms have now reached a critical mass within the creative industry. The Australian community especially showcases this extraord
