Scenographies of the Subject
Under what circumstances do subjects become visible? And how do subjects themselves change and move the circumstances that allow them to appear? Rather than describing medial, architectural, or rhetorical arrangements that are readily available to subject
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Scenographies of the Subject
Scenographies of the Subject
Lars Friedrich · Karin Harrasser · Céline Kaiser Editors
Scenographies of the Subject
Editors Lars Friedrich Goethe-Universität Frankfurt Frankfurt am Main, Germany
Karin Harrasser Kunstuniversität Linz Linz, Austria
Céline Kaiser University of Applied Sciences and Arts Ottersberg, Germany
The print of this book was funded by the DFG (Nachwuchswissenschaftlernetzwerk „Szenographien des Subjekts“, KA 3820/1-1). ISBN 978-3-658-12905-7 ISBN 978-3-658-12906-4 (eBook) https://doi.org/10.1007/978-3-658-12906-4 Library of Congress Control Number: 2018965234 Springer VS © Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2019 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover Image: Atelier Günter Brus This Springer VS imprint is published by the registered company Springer Fachmedien Wiesbaden GmbH part of Springer Nature The registered company address is: Abraham-Lincoln-Str. 46, 65189 Wiesbaden, Germany
Contents
Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Lars Friedrich and Karin Harrasser The Tent of Aias. On the Change of Scene Between Sophocles and Heiner Müller. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Lars Friedrich The Drama of Politics. Antagonism and Repetition. . . . . . . . . . . . . . . . . . 29 Leander Scholz Horizontal Scenographies. The Sickbed as a Setting of Psychiatric Subjectivation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Monika Ankele On the Magic of the Scene. Martha Muchow’s Scenographies . . . . . . . . . 59 Katja Rothe The Fake Bus Stop. Or: Scenographies of Demential Subjectivation . . . . 75 Céline Kaiser Subjectivation Against a Backlight. Scenes of Evidence Production, Ellis Island 1908 . . . .
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