The Pop Music Idol and the Spirit of Charisma Reality Television Tal
This book makes a case for the synergetic union between reality TV and the music industry. It delves into technological change in popular music, and the role of music reality TV and social media in the pop production process. It challenges the current sch
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10.1057/9781137494467 - The Pop Music Idol and the Spirit of Charisma, Trajce Cvetkovski
Copyright material from www.palgraveconnect.com - licensed to New York University - Waldmann Dental Library - PalgraveConnect - 2016-02-19
Copyright material from www.palgraveconnect.com - licensed to New York University - Waldmann Dental Library - PalgraveConnect - 2016-02-19
The Pop Music Idol and the Spirit of Charisma
10.1057/9781137494467 - The Pop Music Idol and the Spirit of Charisma, Trajce Cvetkovski
Pop Music, Culture and Identity
Advisory Board: Chris Best, University College Falmouth, UK, Audrey Faine, Vice President of Marketing, CBS Records, Gavin Hayes, Musician, USA, John Hutnyk, Goldsmiths, University of London, UK, Allan F. Moore, University of Surrey, UK, Ryan Moore, Florida Atlantic University, USA, Jennifer Otter, University of East London, UK, John Phillips, National University of Singapore, Singapore, Cristina Ruotolo, San Francisco, USA, Karl Simms, University of Liverpool, UK, Will Straw, McGill University, Canada and Steve Waksman, Smith College, USA. Pop music lasts. A form all too often assumed to be transient, commercial and mass-cultural has proven itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced by factors such as nation, class, gender, ethnicity, location/situation, and historical period. Pop Music, Culture and Identity investigates the implications of this greatly enhanced status. Particular attention will be paid to issues such as the iconography of celebrity, the everexpanding archive, the nature of the performance-event, the parameters of generational memory, and the impact of new technologies on global marketing. In particular, the series aims to highlight interdisciplinary approaches and incorporate the informed testimony of the fan alongside a challenging diversity of academic methodologies.
Titles include: M. King Adkins NEW WAVE Image is Everything Jennifer Otter Bickerdike FANDOM, IMAGE AND AUTHENTICITY Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis Trajce Cvetkovski THE POP MUSIC IDOL AND THE SPIRIT OF CHARISMA Reality Television Talent Shows in the Digital Economy of Hope Ewa Mazierska and Georgina Gregory RELOCATING POPULAR MUSIC Rosemary Overall AFFECTIVE INTENSITIES IN EXTREME MUSIC SCENCES Cases from Australia and Japan
Pop Music, Culture and Identity Series Standing Order ISBN 978–1–137–03381–9 (hardback) (outside North America only) You can receive future titles in this series as they are pub
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