The Sociolinguistics of Hip-hop as Critical Conscience Dissatisfacti
This book adopts a sociolinguistic perspective to trace the origins and enduring significance of hip-hop as a global tool of resistance to oppression. The contributors, who represent a range of international perspectives, analyse how hip-hop is employed t
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Andrew S. Ross • Damian J. Rivers ( eds. )
The Sociolinguistics of Hip-hop as Critical Conscience
Andrew S. Ross • Damian J. Rivers Editors
The Sociolinguistics of Hip-hop as Critical Conscience Dissatisfaction and Dissent
Editors Andrew S. Ross Centre for Teaching and Learning Southern Cross University Gold Coast, QLD, Australia
Damian J. Rivers Centre for Meta-Learning Faculty of Systems Information Science Future University Hakodate Hakodate, Hokkaido, Japan
ISBN 978-3-319-59243-5 ISBN 978-3-319-59244-2 (eBook) https://doi.org/10.1007/978-3-319-59244-2 Library of Congress Control Number: 2017956401 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover design by Fatima Jamadar Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Acknowledgements
We wish to express our deep thanks and gratitude to all contributing authors and the staff at Palgrave Macmillan, in particular Steph Carey and Cathy Scott, for the ongoing professional support they have provided to us.
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Contents
1 Introduction: Hip-hop as Critical Conscience: Framing Dissatisfaction and Dissent 1 Andrew S. Ross and Damian J. Rivers 2 The Linguistic and Lyrical Development of 2Pac in Relation to Regional Hip-hop Identity and Conflict 13 Steven Gilbers 3 Dimensions of Dissatisfaction and Dissent in Contemporary German Rap: Social Marginalization, Politics, and Identity Formation 37 Leonie Wiemeyer and Steffen Schaub 4 “77% of Aussies Are Racist”: Intersections of Politics and Hip-hop in Australia 69 Andrew S. Ross 5 Where is the Love? White Nationalist Discourse on Hip-hop 101 Damian J. Rivers vii
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