The Theatres of Morocco, Algeria and Tunisia Performance Traditions
Modern international studies of world theatre and drama have begun to acknowledge the Arab world only after the contributions of Asia, Africa and Latin America. Within the Arab world, the contributions of Algeria, Tunisia, and Morocco to modern drama and
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The Theatres of Morocco, Algeria and Tunisia Performance Traditions of the Maghreb
Khalid Amine and Marvin Carlson
Studies in International Performance Published in association with the International Federation of Theatre Research
Culture and performance cross borders constantly, and not just the borders that define nations. In this new series, scholars of performance produce interactions between and among nations and cultures as well as genres, identities and imaginations. Inter-national in the largest sense, the books collected in the Studies in International Performance series display a range of historical, theoretical and critical approaches to the panoply of performances that make up the global surround. The series embraces ‘Culture’ which is institutional as well as improvised, underground or alternate, and treats ‘Performance’ as either intercultural or transnational as well as intracultural within nations. Titles include: Khalid Amine and Marvin Carlson THE THEATRES OF MOROCCO, ALGERIA AND TUNISIA Performance Traditions of the Maghreb Patrick Anderson and Jisha Menon (editors) VIOLENCE PERFORMED Local Roots and Global Routes of Conflict Elaine Aston and Sue-Ellen Case STAGING INTERNATIONAL FEMINISMS Christopher Balme PACIFIC PERFORMANCES Theatricality and Cross-Cultural Encounter in the South Seas Matthew Isaac Cohen PERFORMING OTHERNESS Java and Bali on International Stages, 1905–1952 Susan Leigh Foster (editor) WORLDING DANCE Helen Gilbert and Jacqueline Lo PERFORMANCE AND COSMOPOLITICS Cross-Cultural Transactions in Australasia Helena Grehan PERFORMANCE, ETHICS AND SPECTATORSHIP IN A GLOBAL AGE Judith Hamera DANCING COMMUNITIES Performance, Difference, and Connection in the Global City James Harding and Cindy Rosenthal (editors) THE RISE OF PERFORMANCE STUDIES Rethinking Richard Schechner’s Broad Spectrum
10.1057/9780230358515 - The Theatres of Morocco, Algeria and Tunisia, Khalid Amine and Marvin Carlson
Copyright material from www.palgraveconnect.com - licensed to University of Sussex - PalgraveConnect - 2015-07-31
General Editors: Janelle Reinelt and Brian Singleton
Silvija Jestrovic and Yana Meerzon (editors) PERFORMANCE, EXILE AND ‘AMERICA’
Ketu Katrak CONTEMPORARY INDIAN DANCE Creative Choreography Towards a New Language of Dance in India and the Diaspora Sonja Arsham Kuftinec THEATRE, FACILITATION, AND NATION FORMATION IN THE BALKANS AND MIDDLE EAST Daphne P. Lei ALTERNATIVE CHINESE OPERA IN THE AGE OF GLOBALIZATION Performing Zero Carol Martin (editor) THE DRAMATURGY OF THE REAL ON THE WORLD STAGE Alan Read THEATRE, INTIMACY & ENGAGEMENT The Last Human Venue Shannon Steen RACIAL GEOMETRIES OF THE BLACK ATLANTIC, ASIAN PACIFIC AND AMERICAN THEATRE Joanne Tompkins UNSETTLING SPACE Contestations in Contemporary Australian Theatre S. E. Wilmer NATIONAL THEATRES IN A CHANGING EUROPE Evan Darwin Winet INDONESIAN POSTCOLONIAL THEATRE Spectral Genealogies and Absent Faces Forthcoming titles: Adrian Kear THEATRE AND EVENT Studies in International Performance Series Standing Order ISBN 978–1–403
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