The Unwritten Waste: Revisions in the Poetry and Memoir of A. S. J. Tessimond

James Bainbridge examines the writing process of the English poet A. S. J. Tessimond (1902–1962) through the manuscripts of his poetry and memoir. Using previously unpublished material, the chapter reveals the ways in which the poet revised his writing bo

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Genesis and Revision in Modern British and Irish Writers

Jonathan Bloom · Catherine Rovera Editors

Genesis and Revision in Modern British and Irish Writers

Editors Jonathan Bloom University of Paris-Dauphine Paris Sciences & Lettres Paris, France Études Montpelliéraines du Monde Anglophone (EMMA) Université Paul Valéry-Montpellier III Montpellier, France

Catherine Rovera University of Paris-Dauphine Paris Sciences & Lettres Paris, France Institut des Textes et Manuscrits Modernes (ITEM, CNRS/ENS) Paris, France

ISBN 978-3-030-50276-8 ISBN 978-3-030-50277-5 (eBook) https://doi.org/10.1007/978-3-030-50277-5 © The Editor(s) (if applicable) and The Author(s) 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover credit: A typescript page with autograph revisions from Mary Lavin’s story ‘Sam’ circa 1972 in the Mary Lavin Papers is reproduced with the permission of the Literary Estate of Mary Lavin. A manuscript page from A. S. J. Tessimond’s unpublished memoir dated January 1958 is reproduced with the permission of Sadie Williams, literary executor for Tessimond. This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

Acknowledgments

The authors, editors, and publisher are grateful to the following copyright holders or their agents for authorizing extracts, quotations, and images from copyrighted and unpublished materials that appear in this book. Extracts from and images of Mary Lavin’s unpublished manuscript drafts in the Mary Lavin Papers, Special Collections, University College Dublin Library, are reproduced by permission of the Literary Estate of Mary Lavin; quotations from Lavin’s New Yorker correspondence in the New Yorker Records, Manuscripts and Archives Division of the New York Public Library app

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