Theoretical Framework
This chapter addresses the theoretical framework of this research project based on reviewing relevant literature and current research on aesthetic approaches to data visualization. It includes a discussion of a project model that focuses on the continuum
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Embodying Data Chinese Aesthetics, Interactive Visualization and Gaming Technologies
Embodying Data
Qi Li
Embodying Data Chinese Aesthetics, Interactive Visualization and Gaming Technologies
123
Qi Li Shanghai University of Engineering Science Shanghai, China
ISBN 978-981-15-5068-3 ISBN 978-981-15-5069-0 https://doi.org/10.1007/978-981-15-5069-0
(eBook)
Jointly published with Shanghai Jiao Tong University Press The print edition is not for sale in China (Mainland). Customers from China (Mainland) please order the print book from: Shanghai Jiao Tong University Press. © Shanghai Jiao Tong University Press 2020 This work is subject to copyright. All rights are reserved by the Publishers, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publishers, the authors, and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publishers nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publishers remain neutral with regard to jurisdictional claims in published maps and institutional affiliations. This Springer imprint is published by the registered company Springer Nature Singapore Pte Ltd. The registered company address is: 152 Beach Road, #21-01/04 Gateway East, Singapore 189721, Singapore
Foreword
There are many histories of art, some that have already been formulated, others that are yet to be written, and some that remain hidden simply because the artistic imagination also encompasses the unimaginable. At the same time, art is in a constant state of its own re-invention, and that in turn re-frames the narratives of its potential histories. Over the last century the course of re-invention has been frantic, conjoined (in sympathy and/or antagonism) to deep-going societal and technological transformations. What also emerges more clearly in the development of a global consciousness is the vital heterogeneity of cultures, which of itself creates a world rich in parallel imaginaries about the nature of our being in the world. By examining the dichotomous parallelism of Western and Eastern representational aesthetics, Qi Li provides us with a penetrating understanding and a window of opportunity concerning one of the most fundamental challenges that artistic experience has always aspired t
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