Your Negotiable Panorama: The Seeping Edges of Perceiving Yourself Perceiving
This chapter focuses on a contemporary installation by Olafur Eliasson titled Your Negotiable Panorama as a useful artwork for rethinking the relationship between the movement of mechanical media and perceptions of the virtual. This chapter is focused on
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Christina Chau
Movement, Time, Technology, and Art
Springer Series on Cultural Computing Editor-in-chief Ernest Edmonds, University of Technology, Sydney, Australia Series editors Frieder Nake, University of Bremen, Bremen, Germany Nick Bryan-Kinns, Queen Mary University of London, London, UK Linda Candy, University of Technology, Sydney, Australia David England, Liverpool John Moores University, Liverpool, UK Andrew Hugill, De Montfort University, Leicester, UK Shigeki Amitani, Adobe Systems Inc., Tokyo, Japan Doug Riecken, Columbia University, New York, USA Jonas Lowgren, Linköping University, Noorköping, Sweden
More information about this series at http://www.springer.com/series/10481
Christina Chau
Movement, Time, Technology, and Art
123
Christina Chau Curtin University Perth, WA Australia
ISSN 2195-9056 ISSN 2195-9064 (electronic) Springer Series on Cultural Computing ISBN 978-981-10-4704-6 ISBN 978-981-10-4705-3 (eBook) DOI 10.1007/978-981-10-4705-3 Library of Congress Control Number: 2017939618 © Springer Nature Singapore Pte Ltd. 2017 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Printed on acid-free paper This Springer imprint is published by Springer Nature The registered company is Springer Nature Singapore Pte Ltd. The registered company address is: 152 Beach Road, #21-01/04 Gateway East, Singapore 189721, Singapore
Contents
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1 1 2 4 6 7 10 12 17
2 Revolutions—Forms That Turn . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.1 Revolving, Rotating, Mirroring . . . . . . . . . . . . . . . . . . . . . . . . . 2.2 Cum-Tempore (with Time) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.3 Avant-Garde Kinetic Artworks at the Biennale . . . . . . . . . . . . . 2.4 Conclusion: Contemporary Exhibition of Modern Kinesis . . . . . References . . . . . . . . . . . . . . . .
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