Adorno and Modern Theatre The Drama of the Damaged Self in Bond, Rud
Adorno and Modern Theatre explores the drama of Edward Bond, David Rudkin, Howard Barker and Sarah Kane in the context of the work of leading philosopher Theodor W. Adorno (1903-1969). The book engages with key principles of Adorno's aesthetic theory and
- PDF / 2,737,338 Bytes
- 216 Pages / 396.85 x 612.283 pts Page_size
- 3 Downloads / 180 Views
Also by Karoline Gritzner ADORNO AND PERFORMANCE (ed. with Will Daddario) EROTICISM AND DEATH IN THEATRE AND PERFORMANCE (ed.) THEATRE OF CATASTROPHE: New Essays on Howard Barker (ed. with David Ian Rabey)
Adorno and Modern Theatre The Drama of the Damaged Self in Bond, Rudkin, Barker and Kane Karoline Gritzner Aberystwyth University, UK
© Karoline Gritzner 2015 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2015 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-71001-0 ISBN 978-1-137-53447-7 (eBook) DOI 10.1057/9781137534477
This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. Typeset by MPS Limited, Chennai, India.
I Yr Athro Ioan Williams
This page intentionally left blank
Contents Acknowledgements
viii
List of Abbreviations
ix
Prologue: ‘After Auschwitz’: Survival of the Aesthetic
1
1 Adorno and Beckett: from the Crisis of Schein to the Fidelity to Failure
24
2 Edward Bond and the Aesthetics of Resistance
46
3 David Rudkin’s Theatre of Myth
86
4 Howard Barker’s Theatre of Desire
105
5 Sarah Kane or how to ‘scrape a life out of the ruins’
146
Epilogue: Adorno, Tragedy and Theatre as Negation
163
Notes
182
Bibliography
190
Index
199
vii
Acknowledgements I am deeply grateful to Professor Ioan Williams for introducing me to Adorno’s thoughts all those years ago and for helping me develop my passion for philosophical approaches to theatre. I would like to thank Professor David Ian Rabey for his friendship, generous encouragement, guidance and help
Data Loading...
