Affect Theory and Literary Critical Practice A Feel for the Text
Affect Theory and Literary Critical Practice develops new approaches to reading literature that are informed by the insights of scholars working in affect studies across many disciplines, with essays that consider works of fiction, drama, poetry and memoi
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PALGRAVE STUDIES IN AFFECT THEORY AND LITERARY CRITICISM
Palgrave Studies in Affect Theory and Literary Criticism Series Editors Adam Frank University of British Columbia Vancouver, BC, Canada Joel Faflak Western University London, ON, Canada
The recent surge of interest in affect and emotion has productively crossed disciplinary boundaries within and between the humanities, social sciences, and sciences, but has not often addressed questions of literature and literary criticism as such. The first of its kind, Palgrave Studies in Affect Theory and Literary Criticism seeks theoretically informed scholarship that examines the foundations and practice of literary criticism in relation to affect theory. This series aims to stage contemporary debates in the field, addressing topics such as: the role of affective experience in literary composition and reception, particularly in non-Western literatures; examinations of historical and conceptual relations between major and minor philosophies of emotion and literary experience; and studies of race, class, gender, sexuality, age, and disability that use affect theory as a primary critical tool. More information about this series at http://www.palgrave.com/gp/series/14653
Stephen Ahern Editor
Affect Theory and Literary Critical Practice A Feel for the Text
Editor Stephen Ahern Acadia University Wolfville, NS, Canada
Palgrave Studies in Affect Theory and Literary Criticism ISBN 978-3-319-97267-1 ISBN 978-3-319-97268-8 (eBook) https://doi.org/10.1007/978-3-319-97268-8 Library of Congress Control Number: 2018961609 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2019 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover credit: Vincent van Gogh, “The Novel Reader”/Alamy Stock Photo This Palgrave Macmillan imprint is publis
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