Computation and the Humanities Towards an Oral History of Digital Hu
This book addresses the application of computing to cultural heritage and the discipline of Digital Humanities that formed around it. Digital Humanities research is transforming how the Human record can be transmitted, shaped, understood, questioned and i
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Julianne Nyhan Andrew Flinn
Computation and the Humanities Towards an Oral History of Digital Humanities
Springer Series on Cultural Computing Editor-in-Chief Ernest Edmonds, University of Technology, Sydney, Australia Editorial Board Frieder Nake, University of Bremen, Bremen, Germany Nick Bryan-Kinns, Queen Mary University of London, London, UK Linda Candy, University of Technology, Sydney, Australia David England, Liverpool John Moores University, Liverpool, UK Andrew Hugill, De Montfort University, Leicester, UK Shigeki Amitani, Adobe Systems Inc., Tokyo, Japan Doug Riecken, Columbia University, New York, USA Jonas Lowgren, Linköping University, Norrköping, Sweden
More information about this series at http://www.springer.com/series/10481
Julianne Nyhan • Andrew Flinn
Computation and the Humanities Towards an Oral History of Digital Humanities
Julianne Nyhan Department of Information Studies University College London (UCL) London, UK
Andrew Flinn Department of Information Studies University College London (UCL) London, UK
ISSN 2195-9056 ISSN 2195-9064 (electronic) Springer Series on Cultural Computing ISBN 978-3-319-20169-6 ISBN 978-3-319-20170-2 (eBook) DOI 10.1007/978-3-319-20170-2 Library of Congress Control Number: 2016942045 © The Editor(s) (if applicable) and the Author(s) 2016. This book is published open access. Open Access This book is distributed under the terms of the Creative Commons AttributionNoncommercial 2.5 License (http://creativecommons.org/licenses/cc by-nc/2.5/) which permits any noncommercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. The images or other third party material in this book are included in the work’s Creative Commons license, unless indicated otherwise in the credit line; if such material is not included in the work’s Creative Commons license and the respective action is not permitted by statutory regulation, users will need to obtain permission from the license holder to duplicate, adapt or reproduce the material. This work is subject to copyright. All commercial rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty
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