Digital Bodies Creativity and Technology in the Arts and Humanities
This book explores technologies related to bodily interaction and creativity from a multi-disciplinary perspective. By taking such an approach, the collection offers a comprehensive view of digital technology research that both extends our notions of the
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DIGITAL BODIES Creativity and Technology in the Arts and Humanities Edited by SUSAN BROADHURST and SARA PRICE
Palgrave Studies in Performance and Technology Series editors Susan Broadhurst School of Arts Brunel University Uxbridge, UK Josephine Machon Middlesex University London, UK
This exciting and timely new series features cutting-edge books which centre on global and embodied approaches to performance and technology. As well as focussing on digital performance and art, the series includes the theoretical and historical context relevant to these practices. Not only does the series offer fresh artistic and theoretical perspectives on this exciting and growing area of contemporary performance practice, but it also aims to include contributors from a wide range of international locations working within this varied discipline. The series includes edited collections and monographs on issues including (but not limited to): identity and live art; intimacy and engagement with technology; biotechnology and artistic practices; technology, architecture and performance; performance, gender and technology; and space and performance. Editorial Advisory Board: Philip Auslander, Carol Brown, Sita Popat, Tracey Warr. We welcome all ideas for new books and have provided guidelines for submitting proposals in the Authors section of our website. To discuss project ideas and proposals for this series please contact the series editors: Susan Broadhurst: [email protected], Josephine Machon: [email protected]. More information about this series at http://www.springer.com/series/14604
Susan Broadhurst · Sara Price Editors
Digital Bodies Creativity and Technology in the Arts and Humanities
Editors Susan Broadhurst Brunel University Uxbridge, UK
Sara Price University College London London, UK
Palgrave Studies in Performance and Technology ISBN 978-1-349-95240-3 ISBN 978-1-349-95241-0 (eBook) DOI 10.1057/978-1-349-95241-0 Library of Congress Control Number: 2017943465 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and inf
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