Exploring the Selfie Historical, Theoretical, and Analytical Approac
This volume explores the selfie not only as a specific photographic practice that is deeply rooted in digital culture, but also how it is understood in relation to other media of self-portrayal. Unlike the public debate about the dangers of 'selfie-narcis
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the Selfie
Historical, Theoretical, and Analytical Approaches to Digital Self-Photography
Edited by
Julia Eckel, Jens Ruchatz, Sabine Wirth
Exploring the Selfie
Julia Eckel • Jens Ruchatz • Sabine Wirth Editors
Exploring the Selfie Historical, Theoretical, and Analytical Approaches to Digital Self-Photography
Editors Julia Eckel Philipps-University Marburg Marburg, Germany
Jens Ruchatz Philipps-University Marburg Marburg, Germany
Ruhr-University Bochum Bochum, Germany Sabine Wirth Philipps-University Marburg Marburg, Germany
ISBN 978-3-319-57948-1 ISBN 978-3-319-57949-8 (eBook) https://doi.org/10.1007/978-3-319-57949-8 Library of Congress Control Number: 2017960844 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: bortonia Printed on acid-free paper This Palgrave Macmillan imprint is published by the registered company Springer International Publishing AG part of Springer Nature The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Acknowledgments
This book is the outcome of a conference titled #SEFLIE—Imag(in)ing the Self in Digital Media, which took place at Philipps-University, Marburg, Germany, in April 2015 and was made possible through funding from the Fritz Thyssen Stiftung, the Deutsche Forschungsgemeinschaft (DFG), and the Ursula-Kuhlmann-Fonds/Ursula Kuhlmann Fund. We would like to thank all the participants of the conference for their inspiring input, ideas, and thoughts that directly or indirectly found their way into this book. Furthermore, we would like to thank Kevin Pauliks for his help with manuscript preparation. Finally, special thanks go out to Palgrave Macmillan, especially Martina O’Sullivan, Felicity Plester, and Heloise Harding, for their kind support and inexhaustible patience with our project, and
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