Film/Music Analysis A Film Studies Approach

This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book  brings the discipline back squarely into the

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Film/Music Analysis A Film Studies Approach Emilio Audissino

PALGRAVE STUDIES IN AUDIO-VISUAL CULTURE SERIES EDITOR: K.J. DONNELLY

Palgrave Studies in Audio-Visual Culture Series Editor K.J. Donnelly University of Southampton Southampton, UK

The aesthetic union of sound and image has become a cultural ­dominant. A junction for aesthetics, technology and theorisation, film’s relationship with music remains the crucial nexus point of two of the most popular arts and richest cultural industries. Arguably, the most interesting area of culture is the interface of audio and video aspects, and that film is the flagship cultural industry remains the fount and crucible of both industrial developments and critical ideas. Palgrave Studies in Audio-Visual Culture has an agenda-setting a­ spiration. By acknowledging that radical technological changes allow for rethinking existing relationships, as well as existing histories and the e­ fficacy of conventional theories, it provides a platform for innovative scholarship pertaining to the audio-visual. While film is the keystone of the audio visual continuum, the series aims to address blind spots such as video game sound, soundscapes and sound ecology, sound psychology, art installations, sound art, mobile telephony and stealth remote viewing cultures. Advisory Board Philip Brophy, Australia Michel Chion, University of Paris III: Sorbonne Nouvelle, France Sean Cubitt, Goldsmiths, University of London, UK Claudia Gorbman, University of Washington Tacoma, USA Lev Manovich, Graduate Centre, CUNY, USA Elisabeth Weis, Brooklyn College, CUNY, USA More information about this series at http://www.springer.com/series/14647

Emilio Audissino

Film/Music Analysis A Film Studies Approach

Emilio Audissino University of Southampton Southampton, UK

Palgrave Studies in Audio-Visual Culture ISBN 978-3-319-61692-6 ISBN 978-3-319-61693-3  (eBook) DOI 10.1007/978-3-319-61693-3 Library of Congress Control Number: 2017944599 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with