Identifying and Interpreting Incongruent Film Music
This book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film’s images and narrative. Defining incongruence as a lack of shared properties in the audiovis
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PALGRAVE STUDIES IN AUDIO-VISUAL CULTURE SERIES EDITOR: K. J. DONNELLY
Palgrave Studies in Audio-Visual Culture Series Editor K. J. Donnelly School of Humanities University of Southampton Southampton, UK
The aesthetic union of sound and image has become a cultural dominant. A junction for aesthetics, technology and theorisation, film’s relationship with music remains the crucial nexus point of two of the most popular arts and richest cultural industries. Arguably, the most interesting area of culture is the interface of audio and video aspects, and that film is the flagship cultural industry remains the fount and crucible of both industrial developments and critical ideas. Palgrave Studies in Audio-Visual Culture has an agenda-setting aspiration. By acknowledging that radical technological changes allow for rethinking existing relationships, as well as existing histories and the efficacy of conventional theories, it provides a platform for innovative scholarship pertaining to the audio-visual. While film is the keystone of the audio visual continuum, the series aims to address blind spots such as video game sound, soundscapes and sound ecology, sound psychology, art installations, sound art, mobile telephony and stealth remote viewing cultures. More information about this series at http://www.palgrave.com/gp/series/14647
David Ireland
Identifying and Interpreting Incongruent Film Music
David Ireland School of Music University of Leeds Leeds, UK
Palgrave Studies in Audio-Visual Culture ISBN 978-3-030-00505-4 ISBN 978-3-030-00506-1 (eBook) https://doi.org/10.1007/978-3-030-00506-1 Library of Congress Control Number: 2018958591 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover image: bholland/Getty Images Cover design: Laura de Grasse This Palgrave Macmillan imprint is pu
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