Intersecting Film, Music, and Queerness
Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad appro
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Palgrave Studies in Audio-Visual Culture Series Editor: K. J. Donnelly, University of Southampton, UK Advisory Board: Philip Brophy, Australia, Michel Chion, University of Paris III: Sorbonne Nouvelle, France, Sean Cubitt, Goldsmiths, University of London, UK, Claudia Gorbman, University of Washington Tacoma, USA, Lev Manovich, Graduate Centre, CUNY, USA and Elisabeth Weis, Brooklyn College, CUNY, USA. The aesthetic union of sound and image has become a cultural dominant. A junction for aesthetics, technology and theorisation, film’s relationship with music remains the crucial nexus point of two of the most popular arts and richest cultural industries. Arguably, the most interesting area of culture is the interface of audio and video aspects, and that film is the flagship cultural industry remains the fount and crucible of both industrial developments and critical ideas. Palgrave Studies in Audio-Visual Culture has an agenda-setting aspiration. By acknowledging that radical technological changes allow for rethinking existing relationships, as well as existing histories and the efficacy of conventional theories, it provides a platform for innovative scholarship pertaining to the audio-visual. While film is the keystone of the audio-visual continuum, the series aims to address blind spots such as video game sound, soundscapes and sound ecology, sound psychology, art installations, sound art, mobile telephony and stealth remote viewing cultures. Titles include: Anna Katharina Windisch and Claus Tieber (editors) THE SOUNDS OF SILENT FILMS New Perspectives on History, Theory and Practice Danijela Kulezic-Wilson THE MUSICALITY OF NARRATIVE FILM Aimee Monaghan THE VISUAL MUSIC FILM K. J. Donnelly and Ann-Kristin Wallengren (editors) TODAY’S SOUNDS FOR YESTERDAY’S FILMS Making Music for Silent Cinema Jack Curtis Dubowsky INTERSECTING FILM, MUSIC, AND QUEERNESS
Palgrave Studies in Audio-Visual Culture Series Standing Order ISBN 978–1–137–42975–9 hardcover Series Standing Order ISBN 978 1–137–42976–6 paperback (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and one of the ISBNs quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England
Intersecting Film, Music, and Queerness Jack Curtis Dubowsky
INTERSECTING FILM, MUSIC, AND QUEERNESS
© Jack Curtis Dubowsky, 2016 Softcover reprint of the hardcover 1st edition 2016 978-1-137-45420-1 All rights reserved. No portion of this publication may be reproduced, copied or transmitted save with written permission in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to
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