Image and Text in Conceptual Art Critical Operations in Context
This book examines the use of image/text juxtapositions in conceptual art as a critical strategy to challenge the ideological and institutional demands placed on art. While conceptual art is generally identified by its use of language, its analysis should
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Eve Kalyva
Image and Text in Conceptual Art
Eve Kalyva
Image and Text in Conceptual Art Critical Operations in Context
Eve Kalyva Leeds, West Yorkshire, UK
ISBN 978-3-319-45085-8 ISBN 978-3-319-45086-5 (eBook) DOI 10.1007/978-3-319-45086-5 Library of Congress Control Number: 2016960206 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover design by Sam Johnson Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Acknowledgements
This book would not have been possible without the help and assistance of others. I would like to specially thank my family for their enduring support and encouragement, Gail Day, Eric Prenowitz, Alex Potts, Fred Orton, Ana Longoni and Fernando Davis for their guidance and advice, and Mike Leggett, Charles Harrison, Jorge Glusberg, Lynda Morris, Christa- Maria Lerm-Hayes, John Roberts, Mariana Marchesi, Silvia Dolinko, Nicholas Logsdail, Andrew Wilson, Victoria Worsley, Mike Sperlinger, Peter Osborne, Michael Newman, Terry Smith, Marco Pasqualini de Andrade, W.J.T. Mitchell, Stefan Römer, Dominic Rahtz, Francis Halsall, Véronique Plesch, Marisa Baldasarre, Laura Malosetti Costa and Ignaz Cassar for their invaluable insights. I would also like to thank the following for their generosity and assistance: Art & Language, Victor Burgin, John Hilliard, Carlos Ginzburg, Juan Carlos Romero, Luis Pazos, Graciela Carnevale, the Ian Breakwell Estate, the Tate Archives, the Whitechapel Gallery Archive, the Fairleigh Dickinson University Library Archives, Arts Council England, the British Council, the International Center for the Arts of the Americas–Museum of Fine Arts, Houston,
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