Preservation, Radicalism, and the Avant-Garde Canon
Preservation, Radicalism, and the Avant-Garde Canon interrogates the contemporary significance of the avant-garde. The contributors question the role of academia and exhibition cultures in redefining, reshaping, preserving, and transmitting the produ
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PRESERVATION, RADICALISM, AND THE AVANT-GARDE CANON EDITED BY REBECCA FERREBOEUF, FIONA NOBLE, AND TARA PLUNKETT
Preservation, Radicalism, and the Avant-Garde Canon
Avant-Gardes in Performance Series Editors Sarah Bay-Cheng, University at Buffalo, The State University of New York Martin Harries, University of California, Irvine Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication By Arndt Niebisch Avant-Garde Theatre Sound: Staging Sonic Modernity By Adrian Curtin Entr’acte: Performing Publics, Pervasive Media, and Architecture Edited by Jordan Geiger Preservation, Radicalism and the Avant-Garde Canon Edited by Rebecca Ferreboeuf, Fiona Noble, and Tara Plunkett
Preservation, Radicalism, and the Avant-Garde Canon Edited by
Rebecca Ferreboeuf, Fiona Noble, Tara Plunkett
Palgrave
macmillan
PRESERVATION , RADICALISM , AND THE AVANT - GARDE CANON Copyright © Rebecca Ferreboeuf, Fiona Noble, Tara Plunkett 2016. Softcover reprint of the hardcover 1st edition 2016 978-1-137-47930-3
All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission. In accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 2016 by PALGRAVE MACMILLAN The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire, RG21 6XS. Palgrave Macmillan in the US is a division of Nature America, Inc., One New York Plaza, Suite 4500, New York, NY 10004-1562. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. ISBN 978-1-349-69366-5 E-PDF ISBN: 978–1–137–47437–7 DOI: 10.1057/9781137474377
Library of Congress Cataloging-in-Publication Data Preservation, radicalism, and the avant-garde canon / Edited by Rebecca Ferreboeuf, Fiona Noble, Tara Plunkett. pages cm. — (Avant-gardes in performance) Includes bibliographical references and index. 1. Arts—Experimental methods. I. Ferreboeuf, Rebecca, 1985– editor. II. Noble, Fiona, 1985– editor. III. Plunkett, Tara, 1983– editor. NX175.P75 2016 700 .411—dc23 2015031247 A catalogue record for the book is available from the British Library.
Contents List of Figures
vii
Foreword
ix
Acknowledgments
xi
I Staging The Avant-Gardes 1 Exquisite Encounters with the Avant-Gardes Rebecca Ferreboeuf, Fiona Noble, Tara Plunkett 2 Telling the Telling of the Tale: A Dialogue Jame
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