Gender, Otherness, and Culture in Medieval and Early Modern Art
This collection examines gender and Otherness other as tools to understand medieval and early modern art as products of their social environments. The essays, uniting a diverse array of up-and-coming and established scholars, explore both iconog
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M I D D L E
Gender, Otherness, and Culture in Medieval and Early Modern Art Carlee A. Bradbur y Michelle Moseley-Chr istian
Edited by and
A G E S
The New Middle Ages Series Editor Bonnie Wheeler English & Medieval Studies Southern Methodist University Dallas, TX, USA
The New Middle Ages is a series dedicated to pluridisciplinary studies of medieval cultures, with particular emphasis on recuperating women’s history and on feminist and gender analyses. This peer-reviewed series includes both scholarly monographs and essay collections. More information about this series at http://www.springer.com/series/14239
Carlee A. Bradbury Michelle Moseley-Christian Editors
Gender, Otherness, and Culture in Medieval and Early Modern Art
Editors Carlee A. Bradbury Department of Art Radford University Radford, VA, USA
Michelle Moseley-Christian School of Visual Arts Virginia Tech Blacksburg, VA, USA
The New Middle Ages ISBN 978-3-319-65048-7 ISBN 978-3-319-65049-4 (eBook) DOI 10.1007/978-3-319-65049-4 Library of Congress Control Number: 2017950712 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. The image credit is: Artokoloro Quint Lox Limited/Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Preface
This project initially grew from a panel at the Southeastern College Art Association held in the fall of 2012 in Greensboro, North Carolina. The session was originally conceptualized as “Gender and Otherness in Medieval Art,” but following response to a call for papers, it quickly expanded to embrace a related early modern scope of inquiry. The range of studies we encountered both at
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