Sounding Otherness in Early Modern Drama and Travel Uncanny Vibratio
Sounds are a vital dimension of transcultural encounters in the early modern period. Using the concept of the soundwave as a vibratory, uncanny, and transformative force, Jennifer Linhart Wood examines how sounds of foreign otherness are experienced and i
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Sounding Otherness in Early Modern Drama and Travel Uncanny Vibrations in the English Archive j en n ifer l in h a rt wood
New Transculturalisms, 1400–1800 Series Editors Ann Rosalind Jones Department of Comparative Literature Smith College Northampton, MA, USA Jyotsna G. Singh Michigan State University East Lansing, MI, USA Mihoko Suzuki Department of English University of Miami Coral Gables, FL, USA
This series, now published by Palgrave Macmillan, presents studies of early modern contacts and exchanges among the states, polities, cultures, religions, and entrepreneurial organizations of Europe; Asia, including the Levant and East India/Indies; Africa; and the Americas. Books in New Transculturalisms will continue to investigate diverse figures, such as travelers, merchants, cultural inventors—explorers, mapmakers, artists, craftsmen, and writers—as they operated in political, mercantile, sexual, affective, and linguistic economies. We encourage authors to reflect on their own methodologies in relation to issues and theories relevant to the study of transculturalism, translation, and transnationalism. More information about this series at http://www.palgrave.com/gp/series/15712
Jennifer Linhart Wood
Sounding Otherness in Early Modern Drama and Travel Uncanny Vibrations in the English Archive
Jennifer Linhart Wood St. Mary’s College of Maryland Saint Mary’s City, MD, USA The Folger Shakespeare Library Washington, DC, USA
New Transculturalisms, 1400–1800 ISBN 978-3-030-12223-2 ISBN 978-3-030-12224-9 (eBook) https://doi.org/10.1007/978-3-030-12224-9 Library of Congress Control Number: 2019936159 © The Editor(s) (if applicable) and The Author(s) 2019 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Heritage Image Partnership Ltd / Alamy Stock Photo This Palgrave Macmillan imprint is published by the registered
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