Geography Meets Gendlin An Exploration of Disciplinary Potential thr
This book makes a timely and engaging contribution to geography’s resurgent interest in art and artistic practice, as well as to growing geographical concerns with embodied or pre-reflective experience. It introduces Eugene Gendlin’s philosophical and met
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Janet Banfield
Geography Meets Gendlin
Janet Banfield
Geography Meets Gendlin An Exploration of Disciplinary Potential through Artistic Practice
Janet Banfield University of Oxford Oxford, United Kingdom
ISBN 978-1-137-60439-2 ISBN 978-1-137-60440-8 DOI 10.1057/978-1-137-60440-8
(eBook)
Library of Congress Control Number: 2016954638 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Nature America Inc. New York
For Mum and Dad
ACKNOWLEDGEMENTS
First and foremost, I owe huge thanks to the talented, warm and generous individuals who gave of their time, experience and enthusiasm to participate in my research, and who welcomed me into their homes and artistic practices. It has been a pleasure and delight to work with Jane M, Laura, Katherine, Susan, Clare, Kassandra, Philippa, Yoko, Marnie, Polly, Ticia and Jane O, all of whom have been a source of inspiration. Thank you. Thank you, also, to my supervisors, psychological and geographical. I thank Mark Burgess for his continued support, encouragement and guidance, despite my departure from psychology and return to geography for my doctorate, and in particular for his notification of a summer workshop through which I was introduced to the work of Eugene Gendlin. Without Mark’s interest in my work, this book would not have come into being. I also owe thanks to Derek McCormack for his copious critical feedback during my doctorate. Thanks go, too, to my assessors and examiners, for their assistance in the development of my doctoral work. In particular, I am grateful to Jamie Lorimer and John Wylie for their continued support for my research interests, academic endeavours and career aspirations. Other much appreciated sources of support include Pam Berry for her support and encouragement during my time at Oxford, and to teachers at
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