Performance, Cognitive Theory, and Devotional Culture Sensual Piety
In Performance, Cognitive Theory, and Devotional Culture, Jill Stevenson uses cognitive theory to explore the layperson s physical encounter with live religious performances, and to argue that laypeople s interactions with other devotional media - such as
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		    Cognitive Studies in Literature and Performance Engaging Audiences Bruce McConachie Literature, Science, and a New Humanities Jonathan Gottschall The Public Intellectualism of Ralph Waldo Emerson and W.E.B. Du Bois Ryan Schneider Performance, Cognitive Theory, and Devotional Culture Jill Stevenson
 
 Performance, Cognitive Theory, and Devotional Culture Sensual Piety in Late Medieval York Jill Stevenson
 
 PERFORMANCE, COGNITIVE THEORY, AND DEVOTIONAL CULTURE
 
 Copyright © Jill Stevenson, 2010. Softcover reprint of the hardcover 1st edition 2010 978-0-230-10319-1 All rights reserved. The John the Baptist alabaster panel is reproduced by permission of the Burrell Collection, Cultural and Sport Glasgow (Museums). All images from the Pavement Hours are reproduced by kind permission of the Dean and Chapter of York. First published in 2010 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-28771-0 ISBN 978-0-230-10907-0 (eBook) DOI 10.1057/9780230109070 Library of Congress Cataloging-in-Publication Data Stevenson, Jill. Performance, cognitive theory, and devotional culture : sensual piety in late medieval York / Jill Stevenson. p. cm. — (Cognitive studies in literature and performance) Includes bibliographical references and index. ISBN 978-1-349-28771-0 (alk.paper) 1. Theater—England—York—History—Medieval, 500–1500. 2. Christian drama, English (Middle)—England—York—History and criticism. 3. Mysteries and miracle-plays, English—England—York— History and criticism. 4. English drama—To 1500—History and criticism. 5. York (England)—Religious life and customs. 6. Rites and ceremonies, Medieval—England—York—History. 7. Christianity and literature—England—York—History—To 1500. 8. York plays. I. Title. PN2596.Y6S74 2010 792.1960942843—dc22
 
 2009041118
 
 A catalogue record of the book is available from the British Library. Design by Newgen Imaging Systems (P) Ltd., Chennai, India. First edition: May 2010 10 9 8 7 6 5 4 3 2 1
 
 To many remarkable mentors and one in particular, Professor John Steven Paul (1951–2009)
 
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 Contents
 
 List of Figures
 
 ix
 
 Acknowledgments
 
 xi
 
 A Note on Transcription and Translation Introduction: Devotional Modes of Becoming in Late Medieval York One
 
 xiii
 
 1
 
 Performance Literacy: Theorizing Medieval Devotional Seeing
 
 15
 
 Two
 
 Material Devotion: Objects as Performance Events
 
 45
 
 Three
 
 Claiming Devotional Space
 
 67
 
 Four
 
 Devotion and Conceptual Blending
 
 87
 
 Five
 
 Pious Body Rhythms
 
 115
 
 Six
 
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