Transnational Horror Cinema Bodies of Excess and the Global Grotesqu
This book broadens the frameworks by which horror is generally addressed. Rather than being constrained by psychoanalytical models of repression and castration, the volume embraces M.M. Bakhtin’s theory of the grotesque body. For Bakhtin, the grotesque bo
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TRANSNATIONAL HORROR CINEMA Bodies of Excess and the Global Grotesque
Transnational Horror Cinema
Sophia Siddique • Raphael Raphael Editors
Transnational Horror Cinema Bodies of Excess and the Global Grotesque
Editors Sophia Siddique Department of Film Vassar College Poughkeepsie, New York, USA
Raphael Raphael University of Hawai‘i at Mānoa Honolulu, USA
ISBN 978-1-137-58416-8 ISBN 978-1-137-58417-5 (eBook) DOI 10.1057/978-1-137-58417-5 Library of Congress Control Number: 2016958101 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover image © CoverZoo / Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Macmillan Publishers Ltd. London The registered company address is: The Campus, 4 Crinan Street, London, N1 9XW, United Kingdom
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Contributors
Mary J. Ainslie is head of Film and Television programs at the University of Nottingham Malaysia Campus in Kuala Lumpur. Her research focuses upon the history and development of film in Thailand as well as the intercultural links between East and Southeast Asia. She is the recipient of several international grants and has published in Asian Cinema Journal, Korea Journal, the Women’s Studies International Journal and several edited collections. She also co-edited an edition of the Horror Studies Journal and the edited collection The Korean Wave in Southeast Asia: Consumption and Cultural Production. Mike Dillon received his PhD in Critical Studies from the University of Southern California School of Cinematic Arts and currently teaches film studies at California State University
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