The Afterlife of the Hollywood Western
This book examines the Western genre in the period since Westerns ceased to be a regular feature of Hollywood filmmaking. For most of the 20th Century, the Western was a major American genre. The production of Westerns decreased in the 1960s and 1970s; by
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The Afterlife of the Hollywood Western
Pete Falconer
The Afterlife of the Hollywood Western
Pete Falconer University of Bristol Bristol, UK
ISBN 978-1-137-54670-8 ISBN 978-1-137-54671-5 (eBook) https://doi.org/10.1057/978-1-137-54671-5 © The Editor(s) (if applicable) and The Author(s) 2020 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover image: milos luzanin/Alamy Stock Photo This Palgrave Macmillan imprint is published by the registered company Springer Nature Limited The registered company address is: The Campus, 4 Crinan Street, London, N1 9XW, United Kingdom
Acknowledgements
This book took longer to write than I intended. Thanks are due to many people from across this extended period and before, including: Lina Aboujieb, Chris Barnett, Jenny Barrett, Ben Behrens, Eve Bennett, Rose Biggin and Keir Cooper, Bobby, Gemma and Ava Bridgeman, Lee Broughton, Charlotte Brunsdon, Edward Buscombe, Emre Caglayan, Alex Clayton and Sarah, Sylvie and Fraser Moore, Catherine Constable, Anna Cooper, Alex Cox, Lucy Dreznin, Kate Elswit, Austin Fisher, Ciara Flint, Glenn, Aimee and Emily Fosbraey, Greg Frame, Christopher Frayling, Ellie Freedman, Miguel Gaggiotti, Ed Gallafent, Deborah Gibbs, Mark Goodall, Katie Grant, Leighton Grist and Rita Mehta, Oliver Gruner, Stephen Gundle, Jimmy, Charlie, Elsie and Esme Hay and Sara Turner, Sheldon Hall, Ben Hickman, Mary Hill, Tim Hughes, Tom Hughes and Abigail Graham, Valentina Ippolito, Vicky Jackson, Karina Jakupsdottir, Tamar Jeffers McDonald, Kate Johnson, Chris Jones, Sarah Kelley, Thomas Klein, Andrew Klevan, Mikel Koven, Barry Langford, Dominic Lash, Hoi Lun Law, John Lyons and Emily Elias, Sophie, Jim and Bert Macaulay, Katie Mack, Jacqueline Maingard a
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