The Digital Lives of Black Women in Britain
“Sobande’s book is a landmark study of Black British women and their double struggle with and for their media representations. Sobande’s playful text deftly shifts between media theory and digital practice in order to showcase how Black British women are
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The Digital Lives of Black Women in Britain Francesca Sobande
Palgrave Studies in (Re)Presenting Gender
Series Editor Emma Rees Director, Institute of Gender Studies University of Chester Chester, UK
The focus of Palgrave Studies in (Re)Presenting Gender is on gender and representation. The ‘arts’ in their broadest sense – TV, music, film, dance, and performance – and media re-present (where ‘to represent’ is taken in its literal sense of ‘to present again’, or ‘to give back’) gender globally. How this re-presentation might be understood is core to the series. In re-presenting gendered bodies, the contributing authors can shift the spotlight to focus on marginalised individuals’ negotiations of gender and identity. In this way, minority genders, subcultural genders, and gender inscribed on, in, and by queer bodies, take centre stage. When the ‘self’ must participate in and interact with the world through the body, how that body’s gender is talked about – and side-lined or embraced by hegemonic forces – becomes paramount. These processes of representation – how cultures ‘give back’ gender to the individual – are at the heart of this series.
More information about this series at http://www.palgrave.com/gp/series/16541
Francesca Sobande
The Digital Lives of Black Women in Britain
Francesca Sobande School of Journalism, Media and Culture Cardiff University Cardiff, UK
ISSN 2662-9364 ISSN 2662-9372 (electronic) Palgrave Studies in (Re)Presenting Gender ISBN 978-3-030-46678-7 ISBN 978-3-030-46679-4 (eBook) https://doi.org/10.1007/978-3-030-46679-4 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020 Chapters 2 and 4 are licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/). For further details see licence information in the chapters. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neut
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