Theorizing Body/Place: The Agency of the Digital Performer and the Body as Place
Part IV addresses theory. Chapter nine is a more theoretical examination of Digital Theatre productions and performance in terms of the relationship between the actor’s body and theatre place. Terms like neo-Bakhtinian, differance, and image-body are used
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Digital Theatre The Making and Meaning of Live Mediated Performance, US & UK 1990–2020 Nadja Masura
Palgrave Studies in Performance and Technology
Series Editors Susan Broadhurst School of Arts Brunel University Uxbridge, UK Josephine Machon Middlesex University London, UK
This exciting and timely new series features cutting-edge books which centre on global and embodied approaches to performance and technology. As well as focussing on digital performance and art, the series includes the theoretical and historical context relevant to these practices. Not only does the series offer fresh artistic and theoretical perspectives on this exciting and growing area of contemporary performance practice, but it also aims to include contributors from a wide range of international locations working within this varied discipline. The series includes edited collections and monographs on issues including (but not limited to): identity and live art; intimacy and engagement with technology; biotechnology and artistic practices; technology, architecture and performance; performance, gender and technology; and space and performance. Editorial Advisory Board: Philip Auslander Carol Brown Sita Popat Tracey Warr We welcome all ideas for new books and have provided guidelines for submitting proposals in the Authors section of our website. To discuss project ideas and proposals for this series please contact the series editors: Susan Broadhurst: [email protected] Josephine Machon: [email protected]
More information about this series at http://www.palgrave.com/gp/series/14604
Nadja Masura
Digital Theatre The Making and Meaning of Live Mediated Performance, US & UK 1990–2020
Nadja Masura Santa Rosa, CA, USA
Palgrave Studies in Performance and Technology ISBN 978-3-030-55627-3 ISBN 978-3-030-55628-0 (eBook) https://doi.org/10.1007/978-3-030-55628-0 © The Editor(s) (if applicable) and The Author(s) 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Th
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