Circus, Science and Technology Dramatising Innovation

This book explores the circus as a site in and through which science and technology are represented in popular culture. Across eight chapters written by leading scholars – from fields as varied as performance and circus studies, art, media and cultural hi

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Circus, Science and Technology Dramatising Innovation Edited by Anna-Sophie Jürgens

Palgrave Studies in Performance and Technology

Series Editors Susan Broadhurst School of Arts Brunel University Uxbridge, UK Josephine Machon Middlesex University London, UK

This exciting and timely new series features cutting-edge books which centre on global and embodied approaches to performance and technology. As well as focussing on digital performance and art, the series includes the theoretical and historical context relevant to these practices. Not only does the series offer fresh artistic and theoretical perspectives on this exciting and growing area of contemporary performance practice, but it also aims to include contributors from a wide range of international locations working within this varied discipline. The series includes edited collections and monographs on issues including (but not limited to): identity and live art; intimacy and engagement with technology; biotechnology and artistic practices; technology, architecture and performance; performance, gender and technology; and space and performance. Editorial Advisory Board Philip Auslander Carol Brown Sita Popat Tracey Warr We welcome all ideas for new books and have provided guidelines for submitting proposals in the Authors section of our website. To discuss project ideas and proposals for this series please contact the series editors: Susan Broadhurst: [email protected] Josephine Machon: [email protected]

More information about this series at http://www.palgrave.com/gp/series/14604

Anna-Sophie Jürgens Editor

Circus, Science and Technology Dramatising Innovation

Editor Anna-Sophie Jürgens Australian National University Canberra, ACT, Australia

Palgrave Studies in Performance and Technology ISBN 978-3-030-43297-3 ISBN 978-3-030-43298-0 (eBook) https://doi.org/10.1007/978-3-030-43298-0 © The Editor(s) (if applicable) and The Author(s) 2020 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have

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